Worldmaking and Worldbreaking
Pussy Riot's ‘Punk Prayer’
Datos Bibliográficos
| ID | 14810312 |
|---|---|
| Autores | Férdia J Stone-Davis (0000-0003-3649-2062, autor de correspondencia) |
| Año | 2015 |
| Volumen | 34 |
| Número | 1 |
| Páginas | 101-120 |
| Fecha de publicación | 2015-01-02 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Contemporary Music Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0749-4467 • E-ISSN: 1477-2256 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/07494467.2015.1077569 |
| OpenAlex | W1881008137 |
| Idioma | EN |
| Citas recibidas | 2 |
| Referencias citadas | 16 |
This article critiques Nelson Goodman's seminal account of worldmaking on the basis that it focuses on the abstract at the expense of the concrete and therefore over-emphasises rightness and coherence in the creation of world versions. Suggesting that his account ought not to be abandoned altogether, Goodman's five worldmaking processes are used in conjunction with Judith Butler's account of gesture as event. The article suggests that worldmaking inevitably involves worldbreaking not simply in the sense of transforming already existing world versions but in terms of the co-existence of world versions within a single location. Pussy Riot's action ‘Mother of God, Chase Putin Away’ in the Cathedral of Christ the Saviour forms the case in point, drawing out the dynamic between worldmaking and worldbreaking and showing how it is inevitably and powerfully bound up with performance and context
Aesthetics · Art · Art history · Epistemology · Prayer · Punk · Sociology · Theology · Art, Politics, and Modernism · Folklore, Mythology, and Literature Studies · History · Philosophy · Visual Culture and Art Theory
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,5 |
| Intervalo de citas | 2022 - 2025 (4) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 1 |