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The Gospel in a New Tune! The Appropriation of Ada María Isasi-Díaz’s ‘historical project’ by Latina Pentecostals in the Formulation of a Theology of Evangelism

Datos Bibliográficos

ID14949232
AutoresAngel Santiago-Vendrell (0000-0003-0412-3377, autor de correspondencia)
Año2010
Volumen19
Número1
Páginas73-85
Fecha de publicación2010-09-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaFeminist Theology (JOURNAL)
Identificadores de la revistaISSN: 0966-7350 • E-ISSN: 1745-5189
EditorialSAGE Publications (PUBLISHER • US)
DOI10.1177/0966735010372169
OpenAlexW2155029099
IdiomaEN
Citas recibidas1

The article looks at the way in which Latinas in the United States conceived evangelism. It explores the writings of mujerista theologian Ada María Isasi-Díaz in her construction of a praxis oriented model for evangelism based on a strategy of daily-life survival. The concept of interpersonal relationships based on divine transcendence guides the discussion to embrace the arts, especially salsa music as offered to the Afro-Caribbean deities, as a source of sharing good news in a new tune. Thus the article tries to interlace theoria (cultural and social analysis), praxis (reflection and action based on interpersonal relations), and poiesis (the formulation of worship-centered arts such as salsa music in the construction of a postcolonial evangelism)

Aesthetics · Appropriation · Art · Epistemology · Evangelism · Gospel · Praxis · Sociology · The arts · Theology · Visual arts · Worship · Latin American and Latino Studies · Pentecostalism and Christianity Studies · Philosophy · Religious studies

  • Apostolic Evangelism in the Postcolony

    A Yong•Mission Studies•2017

Obras citantes distintas1
Citas por año0,11
Intervalo de citas2017 - 2017 (1)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 1

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