Musicological Archaeology and Constança Capdeville
Datos Bibliográficos
| ID | 14997197 |
|---|---|
| Autores | Filipa Magalhães (0000-0003-4230-825X, autor de correspondencia) |
| Año | 2022 |
| Volumen | 66 |
| Número | 3 |
| Páginas | 64-77 |
| Fecha de publicación | 2022-09-01 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | TDR/The Drama Review (JOURNAL) |
| Identificadores de la revista | ISSN: 1054-2043 • E-ISSN: 1531-4715 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1054204322000302 |
| OpenAlex | W4297924681 |
| Idioma | EN |
| Citas recibidas | 2 |
| Referencias citadas | 5 |
In a concert of two sound worlds, one acoustic and the other electroacoustic, it is difficult to balance both sonically. When texts, lights, gestures, and movements from different artistic domains such as theatre, dance, or cinema combine with the music this coexistence creates, the result is a new language: the language of Constança Capdeville
Art · Dance · Gesture · Linguistics · Movie theater · Visual arts · French Literature and Poetry · Philosophy · Urban and sociocultural dynamics · Visual Culture and Art Theory
| Citas por año | 0,67 |
|---|---|
| Intervalo de citas | 2023 - 2023 (1) |
| Altamente citado | No |