Feminist Theories—Process and Continua
Datos Bibliográficos
| ID | 15006341 |
|---|---|
| Autores | Rosemary N Killam (University of North Texas, autor de correspondencia), Rosemary Killam (University of North Texas) |
| Año | 1994 |
| Volumen | 0 |
| Número | 8 |
| Fecha de publicación | 1994-05-01 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Music Theory Online (JOURNAL) |
| Identificadores de la revista | ISSN: 1067-3040 • E-ISSN: 1067-3040 |
| Editorial | Society for Music Theory (PUBLISHER • US) |
| DOI | 10.30535/mto.0.8.2 |
| OpenAlex | W4391819686 |
| Idioma | EN |
Feminist music theories can usefully include concepts of relationship, reflexivity, contextuality and subjectivity. These theories can support diversity and individual experience through celebrating performance and ritual, and can explore process along with structure. Two songs of Parton illustrate relationships of modality and tonality. The songs support comparison and contrast of culturally-accepted means of expansions of tonal centers. Twentieth-century poets such as Frost and Rushin illuminate relationships and the stress they can bring to the originators. Recent compositions and writings of Larsen and Tower add to our music theoretic concepts
Aesthetics · Art · Epistemology · Programming language · Computer Science · Gender Politics and Representation · Historical Gender and Feminism Studies · Philosophy
| Altamente citado | No |
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