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Feminist Theories—Process and Continua

Datos Bibliográficos

ID15006341
AutoresRosemary N Killam (University of North Texas, autor de correspondencia), Rosemary Killam (University of North Texas)
Año1994
Volumen0
Número8
Fecha de publicación1994-05-01
Open AccessSí
TipoARTICLE
RevistaMusic Theory Online (JOURNAL)
Identificadores de la revistaISSN: 1067-3040 • E-ISSN: 1067-3040
EditorialSociety for Music Theory (PUBLISHER • US)
DOI10.30535/mto.0.8.2
OpenAlexW4391819686
IdiomaEN

Feminist music theories can usefully include concepts of relationship, reflexivity, contextuality and subjectivity. These theories can support diversity and individual experience through celebrating performance and ritual, and can explore process along with structure. Two songs of Parton illustrate relationships of modality and tonality. The songs support comparison and contrast of culturally-accepted means of expansions of tonal centers. Twentieth-century poets such as Frost and Rushin illuminate relationships and the stress they can bring to the originators. Recent compositions and writings of Larsen and Tower add to our music theoretic concepts

Aesthetics · Art · Epistemology · Programming language · Computer Science · Gender Politics and Representation · Historical Gender and Feminism Studies · Philosophy

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