Estudio crítico de la representación del estado de la pobreza en la televisión
Datos Bibliográficos
| ID | 15035947 |
|---|---|
| Autores | Juan Carlos Gil González (0000-0002-5501-6814, Universidad de Sevilla, autor de correspondencia), Fernando R Contreras Medina (0000-0003-1105-5800, Universidad de Sevilla) |
| Año | 2014 |
| Volumen | 26 |
| Número | 3 |
| Fecha de publicación | 2014-10-17 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Arte individuo y sociedad (JOURNAL) |
| Identificadores de la revista | ISSN: 1131-5598 • E-ISSN: 1698-0611 |
| Editorial | Universidad Complutense de Madrid (UCM) (PUBLISHER) |
| DOI | 10.5209/rev_aris.2014.v26.n3.42666 |
| OpenAlex | W2021813701 |
| Idioma | ES |
| Referencias citadas | 3 |
This article offers an innovative research of the mediatic representation of poverty in mass media. This visual study, which compares Baroque Art to Neo-baroque mass media production, aims to notice similarities and differences and watch that there are cultural parameters that have settled in the collective ideals about the concept of poverty. Moreover, the paper proceeds to an analysis of media representation of social exclusion and its interpretation within popular culture
Art · Art history · Baroque · Humanities · Mass culture · Mass media · Notice · Political science · Poverty · Representation (politics · Sociology · Anthropology · Latin American Urban Studies
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |