Mughal Painting during Jahangir's Time
Datos Bibliográficos
| ID | 15950204 |
|---|---|
| Autores | Milo Cleveland Beach (autor de correspondencia), Asok Kumar Das |
| Año | 1980 |
| Volumen | 42 |
| Número | 1 |
| Páginas | 119-119 |
| Fecha de publicación | 1980-01-01 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Artibus Asiae (JOURNAL) |
| Identificadores de la revista | ISSN: 0004-3648 • E-ISSN: 2296-4215 |
| Editorial | Artibus Asiae Publishers (PUBLISHER) |
| DOI | 10.2307/3250012 |
| OpenAlex | W4229700340 |
| Idioma | EN |
| Citas recibidas | 9 |
Art · Art history · Painting · Architecture and Cultural Influences · Historical and Architectural Studies · Islamic Studies and History
The Way of the Firang
Conceit of the Globe in Mughal Visual Practice
Jahangir as Francis Bacon's Ideal of the King as an Observer and Investigator of Nature
The Wine-Cup in Mughal Court Culture—From Hedonism to Kingship
The Sea and the World of the Mutasaddi
The Lahore Mirat Al-Quds and the Impact of Jesuit Theatre on Mughal Painting
Christian Iconography Disguised
Dating the Prince
Visualising India's geo-body
| Citas por año | 0,31 |
|---|---|
| Intervalo de citas | 1997 - 2020 (24) |
| Altamente citado | No |