Issues of Death
Mortality and Identity in English Renaissance Tragedy
Datos Bibliográficos
| ID | 16613293 |
|---|---|
| Autores | Philip D Collington (0000-0002-4904-2434, autor de correspondencia), Philip Collington |
| Año | 1998 |
| Volumen | 29 |
| Número | 4 |
| Páginas | 1169-1173 |
| Fecha de publicación | 1998-12-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Sixteenth Century Journal (JOURNAL) |
| Identificadores de la revista | ISSN: 0361-0160 • E-ISSN: 2326-0726 |
| Editorial | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/2543405 |
| OpenAlex | W2145468626 |
| Idioma | EN |
| Citas recibidas | 17 |
PART I. WITHIN ALL ROTTENNESS: TRAGEDY, DEATH, AND APOCALYPSE PART II. MAKING AN END: DEATHS ARREST AND THE SHAPING OF TRAGIC NARRATIVE PART III. RUE WITH A DIFFERENCE: TRAGEDY AND THE FUNEREAL ARTS
Aesthetics · Art · Art history · Identity (music · Literature · Sociology · The Renaissance · Tragedy (event · Historical Economic and Social Studies · History · History of Medicine Studies · Literature, Magical Realism, García Márquez
Shakespeare and the Visual Imagination
On The Threshold
Shakespeare and the Visual Imagination
Marlowe’s dramatic form
The Cambridge Introduction to Early Modern Drama, 1576–1642
Monuments and Literary Posterity in Early Modern Drama
A History of Anatomy Theaters in Sixteenth-Century Padua
“The Sense of Death is Most in Apprehension” Law and Death in Augustine, Donne and Measure for Measure
Problem Fathers in Shakespeare and Renaissance Drama
The Drama of Memory in Shakespeare's History Plays
The Nature of Norms in Early Modern England
Hook and Eye
Classical translation and political surrocacy
The play of skin in The Changeling
Female Fetishised Deaths in Jacobean Tragedy
Stephen Greenblatt's Hamlet and the Forms of Oblivion
Jesting with Death
| Obras citantes distintas | 17 |
|---|---|
| Citas por año | 0,68 |
| Intervalo de citas | 2001 - 2024 (24) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 16 |