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Renaissance Clothing and the Materials of Memory

Datos Bibliográficos

ID16618917
AutoresChristiane L Joost-Gaugier, Christiane L Joost‐Gaugier (autor de correspondencia)
Año2002
Volumen33
Número1
Páginas238-239
Fecha de publicación2002-03-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaSixteenth Century Journal (JOURNAL)
Identificadores de la revistaISSN: 0361-0160 • E-ISSN: 2326-0726
EditorialUniversity of Chicago Press (PUBLISHER • US)
DOI10.2307/4144274
OpenAlexW2588974729
IdiomaEN
Citas recibidas74

Acknowledgements List of illustrations Introduction: fashion, fetishism and memory in early modern England and Europe Part I. Material Subjects: 1. The currency of clothing 2. Composing the subject: making portraits 3. Yellow starch: fabrications of the Jacobean court Part II. Gendered Habits: 4. Arachne's web: Velazquez's Las Hilanderas 5. The fate of spinning: Penelope and the Three Fates 6. The needle and the pen: needlework and the appropriation of printed texts Part III. Staging Clothes: 7. The circulation of clothes and the making of the English theater 8. Transvestism and the 'body beneath': speculating on the boy actor 9. (In)alienable possessions: Griselda, clothing and the exchange of women 10. Of ghosts and garments: the materiality of memory on the Renaissance stage Conclusion: the end(s) of livery Notes Index

Aesthetics · Appropriation · Archaeology · Art · Art history · Clothing · Materiality (auditing · The Renaissance · Visual arts · Witness · Fashion and Cultural Textiles · Historical Art and Architecture Studies · History · Law · Philosophy

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Obras citantes distintas74
Citas por año3,08
Intervalo de citas2002 - 2021 (20)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 72
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