Lynching and Spectacle
Witnessing Racial Violence in America, 1890–1940
Datos Bibliográficos
| ID | 16769417 |
|---|---|
| Autores | Christopher Waldrep (San Francisco State University, autor de correspondencia) |
| Año | 2009 |
| Volumen | 10 |
| Número | 3 |
| Páginas | 362-364 |
| Fecha de publicación | 2009-09-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | American Nineteenth Century History (JOURNAL) |
| Identificadores de la revista | ISSN: 1466-4658 • E-ISSN: 1743-7903 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/14664650903169779 |
| OpenAlex | W2052659317 |
| Idioma | EN |
| Citas recibidas | 14 |
AMY LOUISE WOOD Chapel Hill: University of North Carolina Press, 2009 Pp. 384, $39.95 (hbk), ISBN 978 0 8078 3254 7 The best sentence in Lynching and Spectacle is the last one: “In detaching images
Art history · Chapel · Criminology · Political science · Sentence · Sociology · Spectacle · History · Law · Philosophy · Race, History, and American Society
Senseless Violence? Fiction and Feeling in Contemporary America
A Song Without Words
Material Perspectives on Religion, Conflict, and Violence
The American West and the World
Racial Segregation and Southern Lynching
Judicial independence and lynching in historical context
What’s in That Picture
Race, Rhetoric, and Research Methods
The Epistemology of Protest
Telling It Just Like It Is
Deplorable Exegesis
Silent landscapes, textured memory
With Malice toward Quite a Few
The Furrow of His Brow”
| Obras citantes distintas | 14 |
|---|---|
| Citas por año | 0,82 |
| Intervalo de citas | 2009 - 2023 (15) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 12 |