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Manifester og offentligheder

En afsøgning af moderniteten

Datos Bibliográficos

ID16944729
AutoresJanet Lyon (autor de correspondencia)
Año2009
Volumen37
Número107
Páginas12-51
Fecha de publicación2009-05-22
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaK&K - Kultur og Klasse (JOURNAL)
Identificadores de la revistaISSN: 0905-6998 • E-ISSN: 2246-2589
EditorialDet Kgl. Bibliotek/Royal Danish Library (PUBLISHER)
DOI10.7146/kok.v37i107.22010
OpenAlexW2507371881
IdiomaEN
Referencias citadas4

Manifestoes and Public Spheres: Probing Modernity:In this article Janet Lyon shows that the manifesto form is both a liberatory genre that narrates in no uncertain terms the incongruous experience of modernity of those whose needs have been ignored or excluded in a putatively democratic public culture, as well as a genre of rigid binaries creating audiences through a rhetoric of exclusivity, parceling out political identities across a polarized discursive field. Through readings of the tracts of the Diggers and Levellers of 1650 and the 1992 Dyke Manifesto, Lyon argues that when the conditions emerged for a possibility of an ideology of a universal subject with universal rights and sensibilities – that is, when political and economic developments in post-Enlightenment Europe generated the modern concepts of equality and rational autonomy – the manifesto arose as a public genre for contesting or recalibrating the assumptions underlying this newly ‘universal’ subject. In this influential instantiation, the manifesto is the form that exposes the broken promises of modernity: If modern democratic forms claim to honor the sovereignty of universal political subjecthood, the manifesto is a testimony to the partiality of that claim. The discussion isolates and explores some of the consistent formal features of the manifesto – its selective and impassioned chronicle of the oppression that has led to the present moment of rupture; its forceful enumeration of grievances; its epigrammatic style – and then shows how the repetition of these structures and locutions across myriad political epochs attests to the form’s capacity to serve as a multiaccentural ideological sign, one that can be evoked in any number of struggles, on any number of sides

Aesthetics · Democracy · Honor · Ideology · Manifesto · Modernity · Oppression · Political science · Politics · Public sphere · Rhetoric · Sociology · Theology · Law · Philosophy · Social and Educational Sciences

  • The structural transformation of the public sphere

    Jürgen Habermas•Habermas•2006

  • The Necessity of Universalism

    Neil Lazarus, Steven Evans et al.•differences•1995

  • French Feminism Is a Universalism

    Naomi Schor•differences•1995

  • Universalisms and Minority Culture

    David Palumbo-Liu, David Palumbo‐liu•differences•1995

Velocidad de citaciónhistorical
Altamente citadoNo
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