The synthetic transformation of the art world

Ethical tensions

Datos Bibliográficos

ID17832575
AutoresMartha Rodríguez Coronel (0000-0002-3228-9019, Universitat Jaume I, autor de correspondencia)
Año2026
Fecha de publicación2026-04-22
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaHumanities and Social Sciences Communications (JOURNAL)
Identificadores de la revistaISSN: 2662-9992 • E-ISSN: 2662-9992
EditorialPalgrave Macmillan (PUBLISHER • GB)
DOI10.1057/s41599-026-06984-9
OpenAlexW7155243843
IdiomaEN
Referencias citadas44

Synthetic transformation has become a disruptive force in the field of art, with profound impacts on the processes of both the generation of relevant information and applicable knowledge and the production, distribution and consumption of cultural goods and services. AI, one of its main pillars, is increasingly being used by artists and writers to complement, develop or even finish their work. But AI is also being developed to be applied and used autonomously in the production of artistic works and scientific and informational texts, i.e., without expert oversight. Using a critical hermeneutic methodology typical of the humanities and social sciences, this study aims to critically reflect on the algorithmic colonisation of the art world and its current and potential impacts

Art, Politics, and Modernism · Ethics, Aesthetics, and Art · Public Spaces through Art