Keeping the Goddess Alive
Performing Culture and Remembering the Past in Osogbo, Nigeria
Datos Bibliográficos
| ID | 19002122 |
|---|---|
| Autores | Peter Probst (autor de correspondencia) |
| Año | 2004 |
| Volumen | 48 |
| Número | 1 |
| Fecha de publicación | 2004-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Social Analysis (JOURNAL) |
| Identificadores de la revista | ISSN: 0155-977X • E-ISSN: 1558-5727 |
| Editorial | Berghahn Books (PUBLISHER • GB) |
| DOI | 10.3167/015597704782352807 |
| OpenAlex | W1964993523 |
| Idioma | EN |
| Citas recibidas | 7 |
| Referencias citadas | 7 |
This article focuses on the debate about cultural heritage in the context of art, history, and politics in the Yoruba town of Osogbo in southwest Nigeria. Some forty years ago, Osogbo became the center of a vibrant art scene. Today Osogbo’s fame as a symbol for the renaissance of Yoruba art and culture has faded. What has survived, however, is the debate about the shrines and sculptures shaped by the Austrian-born artist, Susanne Wenger, and her local collaborators in the grove of Osogbo’s guardian deity Osun. It is argued that the present day conflicts about the meaning of the image works standing in the Osun grove are based upon their perception not so much as art but rather as media which in the very sense of the word—mediate between different realms of social importance in terms of time, space, power, and wealth
Aesthetics · Ancient history · Art · Sociology · African studies and sociopolitical issues · Anthropological Studies and Insights · Anthropology · Gender Studies · History · Postcolonial and Cultural Literary Studies
| Obras citantes distintas | 7 |
|---|---|
| Citas por año | 0,47 |
| Intervalo de citas | 2011 - 2023 (13) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 7 |