Hymenoplasty, Virginity Testing, and the Simulacrum of Female Respectability

Datos Bibliográficos

ID19005679
AutoresL L Wynn (0000-0003-2466-8534, autor de correspondencia), Saffaa Hassanein (The University of Sydney)
Año2017
Volumen42
Número4
Páginas893-917
Fecha de publicación2017-05-19
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaSigns: Journal of Women in Culture and Society (JOURNAL)
Identificadores de la revistaISSN: 0097-9740 • E-ISSN: 1545-6943
EditorialUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/690918
OpenAlexW2615408162
IdiomaEN
Citas recibidas4
Referencias citadas17

This article situates Egyptian political protesters’ battles over the state’s “virginity testing” in the ethnographic context of cultural beliefs about the hymen and women’s moral purity, based on ethnographic research, formal interviews with laypeople and physicians, and an examination of Egyptian court rulings and revolutionary graffiti. The use of hymens in social and political theater can only be understood by appreciating that a woman’s hymen, her sexual purity, and thus her social respectability are all simulacra, in the Baudrillardian sense: a substitution of the signs of the real for the real, and which are thus more real than real. This article analyzes hymens and graffiti as memory objects that construct idealized moral histories and that open up possibilities for creative maneuvers in the social construction of women’s moral identities, drawing on the sensory registers of blood and hymens at the same time that they reveal these to be simulacra

Aesthetics · Art · Context (archaeology) · Ethnography · Graffiti · Hymen · Political science · Politics · Simulacrum · Sociology · Virginity test · Visual arts · Anthropology · Gender Studies · History · Jewish and Middle Eastern Studies · Law · Law in Society and Culture · Middle East Politics and Society