The cultural power metric
Toward a reputational analysis of China’s soft power in the Asia-Pacific
Datos Bibliográficos
| ID | 19136337 |
|---|---|
| Autores | Brian Yecies (0000-0001-9296-6651, University of Wollongong, autor de correspondencia), Michael Keane (0000-0002-9131-7008, Curtin University), Haiqing Yu (0000-0001-8368-4214, RMIT University), Elaine Jing Zhao (0000-0003-2739-2625, UNSW Sydney), Peter Yong Zhong (0009-0005-3614-3139, University of Wollongong), Susan Leong (0000-0001-6595-1470, Monash University Malaysia), Huan Wu (0000-0003-4190-5394, Curtin University) |
| Año | 2019 |
| Volumen | 4 |
| Número | 2 |
| Páginas | 203-219 |
| Fecha de publicación | 2019-05-30 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Global Media and China (JOURNAL) |
| Identificadores de la revista | ISSN: 2059-4364 • E-ISSN: 2059-4372 |
| Editorial | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/2059436419849724 |
| OpenAlex | W2947659926 |
| Idioma | EN |
| Citas recibidas | 3 |
| Referencias citadas | 30 |
The advent of new media technologies has changed how people watch, engage with, and share digital media. Conventionally, audiences were surveyed selectively, and the results were collated by professional agencies and often kept confidential. However, the conspicuous ratings given to media and cultural products outside their country of origin and their very public success and failure raises questions about the validity of such methods, particularly at a time when media and cultural products are used as proxies for cultural “soft power.” This term, first used by Joseph Nye in a political context, evokes reputational impact: a particular nation’s cultural and media products can “go global” if they prove sufficiently popular, reflecting positively on the originating nation. This article examines the various methods used to evaluate China’s “cultural power.” It notes the current weighting given to the humanities and social sciences. By applying some basic big data analysis and machine-learning techniques, the authors build on previous studies by offering new insights into the rise of “Digital China” and China’s digital and Internet trailblazers. The authors consider two major international metrics, as well as China’s early experimental attempts at devising its own standard, before introducing an alternative model, the cultural power metric
China · Media studies · Political science · Politics · Public relations · Social media · Social science · Sociology · Soft power · The Internet · World Wide Web · Asian Culture and Media Studies · China's Socioeconomic Reforms and Governance · Computer Science · History · Hong Kong and Taiwan Politics · Law
The Whale and the Reactor
Bound to lead
The Study of International Relations.
Cultures Merging
Created in China
The Routledge Handbook of Soft Power
Assessing China’s Power
Approaches to soft power and public diplomacy in China and Taiwan
International TV series distribution on Chinese digital platforms
Structure, Audience and Soft Power in East Asian Pop Culture
Asian Popular Culture
Hallyu 2.0
World Culture
Digital China
Mobility of the Creative Class and City Attractiveness
China’s cultural future
The Future Is Asian
The new wealth of cities
The Clash of Civilizations and the Remaking of the World Order
The Chinese–Korean co-production pact
Soft power
A tentative evaluation of world power
China's Development Disconnect
China's "Peaceful Rise" to Great-Power Status
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2023 - 2026 (4) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |