Spectacular Mundane in the Films of Studio Ghibli
Datos Bibliográficos
| ID | 19136559 |
|---|---|
| Autores | Zoe Crombie (0009-0004-5134-1515, Lancaster University, autor de correspondencia) |
| Año | 2021 |
| Volumen | 2 |
| Páginas | 1-26 |
| Fecha de publicación | 2021-11-29 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | The Journal of Anime and Manga Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 2689-2596 |
| Editorial | University of Illinois at Urbana–Champaign (PUBLISHER • US) |
| DOI | 10.21900/j.jams.v2.507 |
| OpenAlex | W3215336144 |
| Idioma | EN |
| Citas recibidas | 2 |
| Referencias citadas | 11 |
This article examines how Studio Ghibli constructs the mundane activities shown in their films as spectacular. Looking at the history of the ways in which domestic and routine events are depicted in Japanese animation, I will use various methodologies, beginning with formalism and phenomenology before moving on to feminism and Marxism to critically analyse several Ghibli films as case studies – My Neighbors The Yamadas (1999, Hōhokekyo Tonari no Yamada kun), Only Yesterday (1991, Omoide Poro Poro), and Howl’s Moving Castle (2004, Hauru no Ugoku Shiro). Using these methodologies, the films are placed into a broader cinematic context, and the filmic legacy of their treatment of the mundane is explored
Aesthetics · Animation · Art · Art history · Epistemology · Feminism · Sociology · Studio · Visual arts · Yesterday · Asian Culture and Media Studies · Gender Studies · Japanese History and Culture · Media, Gender, and Advertising · Philosophy
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,67 |
| Intervalo de citas | 2023 - 2023 (1) |
| Velocidad de citación | historical |
| Altamente citado | No |