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Networking the Russian Diaspora

Russian Musicians and Musical Activities in Interwar Shanghai

Datos Bibliográficos

ID19166319
AutoresHon-Lun Helan Yang (autor de correspondencia), Simo Mikkonen (0000-0002-4104-534X), John Winzenburg (0000-0002-5734-9567)
EditoresFrederick Lau
Año2020
Páginas320
Fecha de publicación2020-09-30
Open AccessNo
TipoBOOK
RevistaNetworking the Russian Diaspora (SOURCE_BOOK)
EditorialUniversity of Hawaii Press (PUBLISHER • US)
DOI10.1515/9780824882693
OpenAlexW3091530168
ISBN9780824882693
Open LibraryOL28056058M
IdiomaEN
Citas recibidas1

Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands, and ensembles to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra and taught at China’s first conservatory. Two Russian émigré composers in particular—Alexander Tcherepnin and Aaron Avshalomov—experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twentieth-first century music arising from cultural contacts through migration, globalization, and technological advancement. As a pioneering study of the Russian community, Networking the Russian Diaspora especially examines its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume, coauthored by Chinese music specialists, makes a significant contribution to studies of diaspora, cultural identity, and migration by casting light on a little-studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music: how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds

Art · Diaspora · Musical · Political science · Visual arts · Asian Culture and Media Studies · Chinese history and philosophy · History · Law · Migration and Labor Dynamics · Vietnamese History and Culture Studies · History and criticism · Music · Music, history and criticism

  • Colonialism, Cosmopolitanism, and Nationalism

    Open Access•Hon-Lun Helan Yang•twentieth-century music•2021

Citas por año0,2
Intervalo de citas2021 - 2021 (1)
Altamente citadoNo

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