GenAI and Creative Labor
New Evidence on Valuation, Inequality, and Adoption
Datos Bibliográficos
| ID | 19220345 |
|---|---|
| Autores | Joanna Woronkowicz (0000-0002-0501-9478, Indiana University), Douglas S Noonan (0000-0003-4654-9077, Indiana University Indianapolis), Rachel Skaggs (0000-0002-1041-8780, The Ohio State University) |
| Año | 2026 |
| Volumen | 53 |
| Número | 3 |
| Páginas | 599-634 |
| Fecha de publicación | 2026-05-12 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Work and Occupations (JOURNAL) |
| Identificadores de la revista | ISSN: 0730-8884 • E-ISSN: 1552-8464 |
| Editorial | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/07308884261450882 |
| OpenAlex | W7160924378 |
| Idioma | EN |
| Referencias citadas | 32 |
Creative work has long been viewed as resistant to automation, grounded in human capacities for judgment, interpretation, and expression. The rapid diffusion of generative artificial intelligence (GenAI) challenges this assumption by introducing tools capable of producing plausible creative outputs and destabilizing the boundary between assistance and substitution. This editorial introduces a special issue on AI and creative labor and advances a sociological framework for understanding how GenAI is reorganizing creative work through processes of valuation, collaboration, and inequality. Bringing together four empirical articles and new evidence from a 2025 SNAAP Pulse survey of more than 2,000 arts and design alumni, we examine how GenAI is unevenly incorporated across occupations, workflows, and labor market positions. We show that GenAI adoption among creative workers is not driven by a single logic of efficiency, but is shaped by precarity, autonomy, training, occupational norms, and the visibility of AI within production processes. The findings highlight three core dynamics. First, creativity is increasingly distributed across human and machine contributions, with AI used to augment non-core tasks while reconfiguring authorship and skill. Second, authenticity emerges as a socially organized and context-dependent achievement, with concerns about dilution broadly shared but concerns about social judgment varying across occupations and workflows. Third, inequality operates both downstream and upstream, through unequal capacity to adopt and benefit from AI. Taken together, the special issue and new survey evidence demonstrate that GenAI is reorganizing creative labor unevenly, raising fundamental questions about expertise, authorship, and authority to define value in an AI-mediated economy
Craft · Creative industries · Creativity · Empirical evidence · Generative grammar · Human capital · The arts · Visibility · Cultural Industries and Urban Development · Digital Economy and Work Transformation · Ethics and Social Impacts of AI
Creativity in Context
The Deepening Divide
Valuing the Unique
Generative artificial intelligence, human creativity, and art
Generative AI at Work
Professional Self-Structuration in the Arts
The promised land? Why social inequalities are systemic in the creative industries
Means and Ends
Reluctantly independent
AI and work in the creative industries
Polyoccupationalism
The Rules of Art
Innovation and creativity in creative industries
The Price of Art
Multiple job-holding and artistic careers
The Microsociology of Creativity and Creative Work
Lights, Camera, Collective Action
Art As Collective Action
Artists as workers
Cultural entrepreneurs, cultural entrepreneurship
Portrait of the Artist as a Non-Artist. Matryoshka Roles and the Heteronomization of the Italian Art Field
Workers and Work in the Arts
Looking Back, Looking Forward
Artistic Labor Markets and Careers
Creativity Narratives Among College Students
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |