Stravinsky, Tempo, and Le Sacre
Datos Bibliográficos
| ID | 19463516 |
|---|---|
| Autores | Erica Heisler Buxbaum (Claremont Colleges, autor de correspondencia) |
| Año | 1988 |
| Volumen | 1 |
| Número | 1 |
| Páginas | 61-70 |
| Fecha de publicación | 1988-01-01 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Performance Practice Review (JOURNAL) |
| Identificadores de la revista | ISSN: 1044-1638 • E-ISSN: 2166-8205 |
| Editorial | Claremont Colleges Library (PUBLISHER • US) |
| DOI | 10.5642/perfpr.198801.01.6 |
| OpenAlex | W2061431844 |
| Idioma | EN |
| Citas recibidas | 1 |
In reviews of recorded performances by others of Le sacre du printemps, Stravinsky contradicted his metronome markings and his own recorded performance tempos. His preferred tempos in the reviews encompass a range wider than the markings imply, yet more narrow than his own performance tempos suggest
Aesthetics · Art · Art history · Humanities · Metronome · Rhythm · Visual arts · Music Technology and Sound Studies · Musicology and Musical Analysis · Neuroscience and Music Perception
| Citas por año | 0,25 |
|---|---|
| Intervalo de citas | 2022 - 2022 (1) |
| Altamente citado | No |