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Some Misconceptions about the Baroque Violin

Datos Bibliográficos

ID19463547
AutoresStewart Pollens (Claremont Colleges, autor de correspondencia)
Año2009
Volumen14
Número1
Páginas1-13
Fecha de publicación2009-01-01
Open AccessNo
TipoARTICLE
RevistaPerformance Practice Review (JOURNAL)
Identificadores de la revistaISSN: 1044-1638 • E-ISSN: 2166-8205
EditorialClaremont Colleges Library (PUBLISHER • US)
DOI10.5642/perfpr.200914.01.06
OpenAlexW1997197015
IdiomaEN

Much has been written about the baroque violin, yet many misconceptions remain most notably that up to around 1750 their necks were universally shorter and not angled back as they are today, that the string angle over the bridge was considerably flatter, and that strings were of narrower gauge and under lower tension. 1 other fittings preserved in the Museo Stradivariano in Cremona provide a wealth of data that refine our understanding of how violins, violas, and cellos were constructed between 1666of activity). String tension measurements made in 1734 by Giuseppe Tartini provide additional insight into the string diameters used at this time

Art · Art history · Baroque · Violin · Visual arts · Diverse Musicological Studies · Musicians’ Health and Performance · Musicology and Musical Analysis

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