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The Whole Field of Postcolonial Literature

Datos Bibliográficos

ID19463591
AutoresJosef Marx (0000-0002-9571-2312, University of California, Davis, autor de correspondencia), John Marx (University of California, Davis)
Año2013
Volumen16
Número3
Páginas389-400
Fecha de publicación2013-03-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaDiaspora A Journal of Transnational Studies (JOURNAL)
Identificadores de la revistaISSN: 1044-2057 • E-ISSN: 1911-1568
EditorialUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/diaspora.16.3.389
OpenAlexW2306038046
IdiomaEN
Referencias citadas2

Neil Lazarus describes a field of postcolonial literature that is both too big and too small. Too big, in that this “vast and hitherto unevenly and indifferently theorized corpus” contains too many works published in too many places and circulating in too many ways to be neatly summed up (35). The field is too small, however, in that few postcolonial works actually garner anything like meaningful scholarly attention. Saying he is “tempted to overstate the case,” Lazarus declares “that there is in a strict sense only one author in the postcolonial literary canon. That author is Salman Rushdie, whose novels—especially Midnight’s Children, Shame, and The Satanic Verses—are endlessly, not to say catechistically, cited in the critical literature” (22). The point remains even if one is inclined to supplement this canon with another likely suspect or two—J.M. Coetzee, say, or Arundhati Roy

Art · Canon · Literature · Shame · Sociology · Suspect · Mathematics · Philosophy · Postcolonial and Cultural Literary Studies · Psychology · South African History and Culture · South Asian Cinema and Culture

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Velocidad de citaciónhistorical
Altamente citadoNo
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