Autonomous Appearance
The Becoming Autonomous of Aesthetics from Experience in Deleuzian Aesthetics
Datos Bibliográficos
| ID | 19489072 |
|---|---|
| Autores | Brecht Govaerts (0000-0003-3171-8376, autor de correspondencia) |
| Año | 2026 |
| Volumen | 20 |
| Número | 2 |
| Páginas | 210-234 |
| Fecha de publicación | 2026-05-01 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Deleuze and Guattari Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 2398-9777 • E-ISSN: 2398-9785 |
| Editorial | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/dlgs.2026.0637 |
| OpenAlex | W7162314293 |
| Idioma | EN |
| Referencias citadas | 6 |
This article develops a new interpretation of Gilles Deleuze’s theory of the aesthetic. I argue that Deleuze’s aesthetics should be understood through the becoming autonomous of appearance, which is a conception of aesthetics that is simultaneously non-aesthetic. The becoming autonomous of appearance can be reformulated as the becoming autonomous of aesthetics from experience. This poses a challenge to the idea that Deleuze developed a transcendental empiricism based on the ontological primacy of aesthetic experience. The uncoupling of aesthetics from experience makes the ontological primacy of aesthetic experience impossible. Autonomous appearance is not the aesthetics of a transcendental empiricism, but of the pure connector between virtual and actual. It is the aesthetics of what Deleuze calls the third synthesis of time
Aesthetic experience · Embodied cognition · Empiricism · Everyday Aesthetics · Transcendental number · Digital Media and Philosophy · Phenomenology and Existential Philosophy · Posthumanist Ethics and Activism
| Altamente citado | No |
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