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Tianqin

Evolutionary Perspectives on the Culture of Chinese Folk Musical Instruments in Playing Techniques and Cultural Change

Datos Bibliográficos

ID19577756
AutoresXinyang Chen (0000-0002-7401-0135), Xinyang Chen Xinyang Chen, Sayam Chuangprakhon (0000-0002-5124-2953, Mahasarakham University), Sayam Chuangprakhon Sayam Chuangprakhon, Ruiling Liu (0000-0002-0107-6352, Guangxi Normal University), Ruiling Liu Ruiling Liu
Año2024
Páginas58-69
Fecha de publicación2024-09-02
Open AccessSí
TipoARTICLE
RevistaEvolutionary Studies in Imaginative Culture (JOURNAL)
Identificadores de la revistaISSN: 2472-9876 • E-ISSN: 2472-9884
EditorialRaiya Academic International LLC (PUBLISHER)
DOI10.70082/esiculture.vi.671
OpenAlexW4402217875
IdiomaEN

The Tianqin, often a plucked zither or lute, holds significant cultural and musical heritage in China. The objective of this study is to explore the evolutionary perspectives on the culture of a Chinese folk musical instrument by examining its playing techniques and cultural changes. Conducted in Longzhou County, Guangxi Zhuang Autonomous Region, China, this study involved ethnographic fieldwork, including participant observation and interviews with key informants such as Tianqin musicians and craftsmen. Data analysis was performed using thematic analysis, revealing that the Tianqin has transitioned from a ritualistic instrument to a symbol of cultural heritage and mass entertainment. The findings highlight the instrument's adaptability through innovations in playing techniques and materials, supported by governmental initiatives promoting Tianqin culture. This research underscores the importance of preserving and promoting traditional musical instruments in contemporary society. The study's insights contribute to a broader understanding of cultural adaptation and innovation in ethnomusicology

Aesthetics · Art · Literature · Musical · Sociology · Anthropology · Chinese history and philosophy · Music Technology and Sound Studies · Neuroscience and Music Perception

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