Cross-Dressing in Chinese Opera
Datos Bibliográficos
| ID | 19936173 |
|---|---|
| Autores | Siu Leung Li (0000-0002-1183-126X, autor de correspondencia), Edward Siu-leung Li, Siuleung Li |
| Año | 2003 |
| Fecha de publicación | 2003-12-31 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Cross-Dressing in Chinese Opera (SOURCE_BOOK) |
| Editorial | Hong Kong University Press (PUBLISHER) |
| DOI | 10.1515/9789882200937 |
| OpenAlex | W618758846 |
| Open Library | OL37371896M |
| ISBN | 9789882200937 |
| Idioma | EN |
| Citas recibidas | 21 |
The enchantment of the figure of the “male dan” — female impersonator — remains a residual element in the cultural imagination of many contemporary Chinese societies. The various kinds of interpretive possibilities in the commanding tradition of cross-dressing Chinese opera have yet to be examined in-depth. In order to discuss “mistaken identity” and gender issues as they relate to cross-dressing on the Chinese operatic stage, this book examines a wide range of materials, including traditional dramatic texts, modern literary writings, critical writings (for example, quhua), opera paintings, and contemporary movies. The book explores gendering and gender differences that are constructed, reproduced, dismantled, and contested in this particularly rich site of Chinese culture
Aesthetics · Art · Embodied cognition · Epistemology · Literature · Opera · Queer · Reinterpretation · Sociology · Asian Culture and Media Studies · Chinese history and philosophy · Gender Studies · Philosophy · Asia - General · china · Chinese Operas · Costume · Cross-dressing · Cultural studies · Gender identity · History · History and criticism · Operas · Operas, Chinese · Performing Arts · Poetry · Sex role · Sex role in literature · Theater · Theater - General · Theater - History & Criticism · Transvestism
Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China
Mustache as Resistance
Women’s Tanci Fiction in Late Imperial and Early Twentieth-Century China
Masculinity and Chineseness in post-1950s Hong Kong Cantonese opera
Gender Performance on the Stage of Chinese Opera
Imagining Transgender China
‘Shanghai is burning’
Legitimating Transphobia
Mediating Gendered Bodies, Culture, and Urban Spaces
Unisex Fashion as a Social Practice
Transgender Performance in Early Modern China
Trespassing, Crisis, and Renewal
Cross-dressing and Other Disguises in Zaisheng yuan
The emerging national-style ‘husbandly sister’
Blowing in the China Wind
Trans-in-Asia, Asia-in-Trans
A Marathon Search for My Deserved Body
Foot fascination in performance in China and Australia in the nineteenth century
Retelling the Story of a Woman Warrior in Hua Mulan (花木兰, 2009)
Performing androgyny
Little Fresh Meat
| Obras citantes distintas | 21 |
|---|---|
| Citas por año | 1,24 |
| Intervalo de citas | 2009 - 2026 (18) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 19 |