Revolutionary Cycles in Chinese Cinema, 1951–1979
Datos Bibliográficos
| ID | 19945940 |
|---|---|
| Autores | Zhuoyi Wang (0000-0002-1058-2791, autor de correspondencia) |
| Año | 2014 |
| Fecha de publicación | 2014-01-01 |
| Open Access | Sí |
| Tipo | BOOK |
| Revista | Revolutionary Cycles in Chinese Cinema, 1951-1979 (SOURCE_BOOK) |
| Editorial | Palgrave Macmillan US (PUBLISHER) |
| DOI | 10.1057/9781137378743 |
| OpenAlex | W649472006 |
| Open Library | OL28160180M |
| ISBN | 9781137378743 |
| Idioma | EN |
| Citas recibidas | 12 |
A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from 1951 to 1979 complicated and diversified the meanings of films, this book offers a discurs
Aesthetics · Art · Literature · Media studies · Movie theater · Physics · Political science · Power (physics) · Sociology · Chinese history and philosophy · History · Hong Kong and Taiwan Politics · Vietnamese History and Culture Studies · 1966-1969 · china · cultural revolution · Motion pictures
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Lü Ban’s Comedies, Transnational Film Auteurism, and Comedic Modernism in Early Socialist China
Speed politics and socialist contradictions in Maoist documentary cinema
When Taylorism Met Revolutionary Romanticism
Fuwuyuan on Film
From Wu Xun to Lu Xun
The Aesthetic Needs of the Masses
| Obras citantes distintas | 12 |
|---|---|
| Citas por año | 2 |
| Intervalo de citas | 2020 - 2026 (7) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 12 |