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Kwaito's Promise

Music and the Aesthetics of Freedom in South Africa

Datos Bibliográficos

ID19985950
AutoresGavin Steingo (autor de correspondencia)
Año2015
Páginas320
Fecha de publicación2015-10-06
Open AccessNo
TipoBOOK
RevistaKwaito's Promise (SOURCE_BOOK)
EditorialUniversity of Chicago Press (PUBLISHER • US)
DOI10.7208/chicago/9780226362687.001.0001
OpenAlexW4255040781
Open LibraryOL53258266M
ISBN9780226362687
IdiomaEN
Citas recibidas32

Aesthetics · Art · Asian American and Pacific Histories · Caribbean history, culture, and politics · Computer Science · Indigenous Health, Education, and Rights · Music History and Culture · South African History and Culture · Black Musicians · Kwaito (Music) · Music · Music, philosophy and aesthetics · Musicians · Philosophy and aesthetics · Political aspects · Social aspects · Social conditions · South Africa · south african

  • Musical feelings and affective politics

    Anaar Desai-Stephens, Nicole Reisnour•Renaissance and Modern Studies•2020

  • The romance with affect

    A Hofman•Renaissance and Modern Studies•2020

  • Non-Diegetic Characterisation in African Film Music

    Open Access•Gabriel Thuku Kimani, Madimabe Geoff Mapaya•E-Journal of Humanities Arts and…•2025

  • Historicising gqom as a post- kwaito phenomenon

    Dion Malcolm Eaby-Lomas•Journal of Musical Arts in Africa•2021

  • Sinatras in Blackface

    Open Access•Francesca Inglese•Journal of the Society for…•2025

  • World Music Without Profit

    Open Access•Michael Gallope•twentieth-century music•2020

  • Introduction to the Special Issue on Global Musical Modernisms

    Open Access•Gavin S K Lee, Christopher J Miller•twentieth-century music•2023

  • Universal Tropes and Salvation Hopes

    Open Access•Antía Gonzalez Ben•Teachers College Record The Voice…•2021

  • ‘The whole process of gender’

    Open Access•Jeffrey W Rubin•Radical Americas•2023

  • South Africa and the Politics of Coevality

    Khwezi Mkhize•Scrutiny2•2019

  • A Circuit Tour of the Globe

    Open Access•Frederick J Schenker•Journal of the Society for…•2019

  • Glitter, Shine, Glow

    Mehita Iqani•Cultural Politics an International…•2022

  • The Political Force of Musical Actants

    Open Access•Kjetil Klette Bøhler•twentieth-century music•2021

  • Popular Art, Crime and Urban Order Beyond the State

    Open Access•M Oosterbaan, R Jaffe•Theory Culture & Society•2022

  • Hybrid ‘Authenticities’ in youth popular culture

    Owen Seda, Motshidisi Shawn Manyeneng•Critical African Studies•2023

  • The digital infrastructures of music scenes

    Open Access•Stefano Barone•DIY Alternative Cultures & Society•2026

  • Violence as a genre of urban life

    Stefan Norgaard•Journal of Urban Affairs•2021

  • Recomposing the Colonial City

    Nate Plageman•Interventions•2020

  • One or Several Gamelan? Perpetual (Re)construction in the Life of a Balinese Gamelan Semara Pagulingan

    Tyler Yamin•Ethnomusicology•2019

  • From beats to business

    Nnamdi O Madichie, Motshedisi Mathibe et al.•The Round Table•2025

  • Investigating the opportunities and challenges for African languages in public spaces

    Open Access•Rosemary Wildsmith-Cromarty, Colin Reilly et al.•Journal of Multilingual and…•2023

  • Kwaito as history

    Open Access•Dion Malcolm Eaby-Lomas•African Music Journal of the…•2025

  • Highlife’s “Alluring Effect” and the “Hey-ba-ba-re-bop”

    Markus Coester•Journal of African Cultural Studies•2026

  • Sounding Together

    Open Access•Dave Wilson•Environmental Humanities•2024

  • Actors and Accidents in South African Electronic Music

    Gavin Steingo•Contemporary Music Review•2018

  • Affective Aspirations of Activist Musical Diplomacy at the Bicentennial Celebration of Brazilian Independence in Lisbon

    Open Access•Andrew Snyder•Yearbook for Traditional Music•2023

  • Sentimental Orientation

    Francesca Inglese•Ethnomusicology•2024

  • Cleaning up shaʿbi

    Open Access•Sophie Frankford•Ethnography•2024

  • Sonic Space-Making on the Margins of Power

    Dave Wilson•Ethnomusicology•2022

  • Mbas Mi

    Open Access•Babacar Ndiaye, Margaret Rowley•African Studies Review•2022

  • Tchaikovsky is ours

    Yana Stainova•Latin American and Caribbean…•2020

  • Enchantment as Method

    Open Access•Yana Stainova•Anthropology & Humanism•2019

Obras citantes distintas32
Citas por año4
Intervalo de citas2018 - 2026 (9)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 32
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