In the Spirit of a New People

Reexamining the Chicano civil rights movement of the 1960s and 1970s, this book brings to light new insights about social activism in the twentieth-century and new lessons for progressive politics in the twenty-first. It explores the ways in which Chicano/a artists and activists used fiction, poetry, visual arts, theater, and other expressive forms to forge a common purpose and to challenge inequality in America. Focusing on cultural politics, the book reveals neglected stories about the Chicano movement and its impact: how writers used the street press to push back against the network news; how visual artists such as Santa Barraza used painting, installations, and mixed media to challenge racism in mainstream environmentalism; how El Teatro Campesino' s innovative “actos,” or short skits, sought to embody new, more inclusive forms of citizenship; and how Sandra Cisneros and other Chicana novelists broadened the narrative of the Chicano movement. The book articulates a fresh understanding of how the Chicano movement contributed to the social and political currents of postwar America, and how the movement remains meaningful today

Aesthetics · Art · Citizenship · Environmentalism · Literature · Mainstream · Media studies · Movement (music) · Narrative · Poetry · Political science · Politics · Racism · Social activism · Social movement · Sociology · Visual arts · Gender Studies · Latin American and Latino Studies · Law · 1960-1980 · Anthropology · Chicano movement · Civil rights movements · Cultural · Discrimination & Race Relations · Mexican american art · Mexican Americans · politics and government · Social conditions · Social history · Social movements · Social movements in art · Social Science · united states

• We Didn't Cross the Border, the Border Crossed Us”

  Edward J Mccaughan•Latin American and Latinx Visual…•2020

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