Jesus of Hollywood
Datos Bibliográficos
| ID | 20003389 |
|---|---|
| Autores | Adele Reinhartz (McMaster University, autor de correspondencia) |
| Año | 2007 |
| Páginas | 313 |
| Fecha de publicación | 2007-02-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Jesus of Hollywood (SOURCE_BOOK) |
| Editorial | Oxford University PressNew York (PUBLISHER) |
| DOI | 10.1093/acprof:oso/9780195146967.001.0001 |
| OpenAlex | W4243677071 |
| Open Library | OL17213899M |
| ISBN | 9780195146967 |
| Idioma | EN |
| Citas recibidas | 18 |
| Referencias citadas | 19 |
This book is a study of the movies made about Jesus, from the earliest silent films through to Mel Gibson's 2004 The Passion of the Christ. Its main argument is that these movies fit into the “biopic” (biographical film) genre and they tell the story of Jesus according to the standard biopic template. The Jesus biopics exhibit three principal characteristics. First, they make a claim to historicity or historical authenticity. Second, and at the same time, they undermine that claim in ways that are both subtle and overt. Third, they use the Jesus story as a lens through which to view and to work out contemporary concerns, such as sexuality, ethnic identity, theology, and the relationship between religion and politics. The approach is thematic, and the chapters are organized by character, including the Holy Family (Mary, Joseph, and God), Jesus' friends and associates (Mary Magdalene and Judas) and his enemies (Pharisees, Caiaphas, and Pilate). Despite the title, the book addresses films made both in the United States and elsewhere. The point is not to overlook the profound differences among the various national cinemas which have produced Jesus movies, but to argue that all bear the imprint of the Hollywood biopic, whether in imitation of its conventions or in conscious resistance to them
Art · Art history · Biography · Character (mathematics) · Historicity (philosophy) · Hollywood · Human sexuality · Literature · Movie theater · Passion · Politics · Sociology · American Constitutional Law and Politics · Gender Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Philosophy · Religion and Society Interactions · Religious studies · In motion pictures · Jesus christ · Jesus christ in motion pictures
The New Cambridge History of the Bible
Reception history of the Bible
Gözden Irak, Gönülden Irak
“It wasn’t about Me”
The Caucasianization of Jesus
Some More Light on the Text
A Twenty-First-Century Gospel
Was Caiaphas wrong? Using utilitarian philosophy to challenge an antisemitic trope
New Directions in the Study of Film and Religion
Jesus Films for World Evangelisation
Social Movement Audiences 1
The Passion of the Christ in Australia
Judas Iscariot
Behold the Man
Beautiful penitent whore
Deconstructing the Icon
Using Film in Theology and Religious Studies
The Evangelical Reception of Mary Magdalene in The Chosen Series, Seasons 1 and 2
The Importance of Father Love
Jesus and Mel Gibson’s The Passion of the Christ
The Devil and the Jews
Meditations on the Life of Christ, An Illustrated Manuscript of the Fourteenth Century
Roberto Rossellini
Mary Magdalen
The Devil
The Ways That Never Parted
What You See is What You Get
Pasolini on Pasolini interviews with Oswald Stack
The Ancient Synagogue
Dwight Macdonald on Movies
Movie-Made America
Projecting the Past
The Mechanical Life In The Age Of Human Reproduction
| Obras citantes distintas | 18 |
|---|---|
| Citas por año | 1 |
| Intervalo de citas | 2008 - 2026 (19) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 18 |