Beyond Windrush
Rethinking Postwar Anglophone Caribbean Literature
Datos Bibliográficos
| ID | 20004859 |
|---|---|
| Editores | J Dillon Brown, Leah Reade Rosenberg |
| Año | 2015 |
| Páginas | 234 |
| Fecha de publicación | 2015-07-01 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Beyond Windrush (SOURCE_BOOK) |
| Editorial | University Press of Mississippi (PUBLISHER) |
| DOI | 10.14325/mississippi/9781628464757.001.0001 |
| OpenAlex | W2580211951 |
| Open Library | OL29257826M |
| ISBN | 9781628464757 |
| Idioma | EN |
| Citas recibidas | 8 |
The first book to critically redefine and reexamine West Indian literature of the 1950s, Beyond Windrush challenges the myth that an elite cohort of male novelists based in postwar London single-handedly produced Anglophone Caribbean literature and broadens our understanding of Caribbean and Black British literary history. Writers of this cohort, often reduced to George Lamming, V.S. Naipaul, and Sam Sevlon, are referred to “the Windrush writers,” in tribute to the S.S. Empire Windrush, whose 1948 voyage from Jamaica inaugurated the large-scale Caribbean migration to London. They have been properly celebrated for producing a complex, anti-colonial, nationalist literary tradition, but, as this collection demonstrates, their uncritical canonization has obscured the diversity of postwar Caribbean writers and produced a narrow definition of West Indian literature. The fourteen original essays in this collection here make clear that already in the 1950s a wide spectrum of West Indian men and women—Afro-Caribbean, Indo-Caribbean and white-creole—were writing, publishing (and even painting)—and that many were in the Caribbean, Canada, and the United States, rather than London. Moreover, they addressed subjects omitted from the masculinist canon, such as queer sexuality and the environment. The collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (such as Ismith Khan, Elma Napier, and John Hearne); commonly ignored genres (such as the memoir, short stories, and journalism); as well as alternative units of cultural and political unity, such as the Pan-Caribbean as well as potentially trans-hemispheric, trans-island conceptions of political identity
Ancient history · Art · Art history · Caribbean literature · Colonialism · Creole language · Empire · Ethnology · Frontier · Literature · Memoir · Mythology · Nationalism · Political science · Politics · Romance · Sociology · African history and culture studies · Caribbean history, culture, and politics · Classics · Gender Studies · History · Law · Philosophy · Postcolonial and Cultural Literary Studies · caribbean · Caribbean & Latin American · Caribbean & West Indies · Caribbean literature (English) · History and criticism · Literary collections · Literary Criticism · National characteristics in literature · West indian literature · West Indian literature (English)
Caribbean Literature in Transition, 1800–1920
The Cambridge History of Black and Asian British Writing
José Martí, José Rizal, and Their Speculative Extended Caribbean
Reading the Colonial Archive through Joscelyn Gardner’s Creole Portraits I–III
Transnational Cultural Exchange
Radical Skepticisms
Black Noise from the Break
Caribbean Literature in Transition, 1970–2020
| Obras citantes distintas | 8 |
|---|---|
| Citas por año | 0,89 |
| Intervalo de citas | 2017 - 2023 (7) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 8 |