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Sound Studies Meets Deaf Studies

Datos Bibliográficos

ID20052020
AutoresM Friedner (0000-0002-0606-9610), Stefan Helmreich (0000-0003-0859-5881)
Año2020
Páginas87-97
Fecha de publicación2020-05-31
Peer ReviewedSí
Open AccessNo
TipoCHAPTER
RevistaAuditory Culture Reader (SOURCE_BOOK)
EditorialRoutledge (PUBLISHER • GB)
DOI10.4324/9781003086895-8
OpenAlexW4242793561
ISBN9781003086895
IdiomaEN
Citas recibidas2

Both sound studies and Deaf studies depend on something of a divide between hearing and seeing. So, while music historian Bruce Johnson makes a critical point when he writes that, "an auditory rather than a predominantly visual approach to the past produces a different cultural history", such a phrasing risks posing the visual and auditory as at odds with one another. In both sound and Deaf studies, a clean division is also often assumed between hearing and deafness. This chapter considers four major practices that might prompt scholars in sound studies and Deaf studies into new conversation. These practices ask how sound is inferred in deaf and Deaf practice, how reimagining sound in the register of low-frequency vibration can up-end deaf-hearing dichotomies, how "deaf futurists" champion cyborg sound, and how signing, non-speech based communicative practices, and listening might unwind phonocentric models of speech and move us away from "speech communities"

Acoustics · Audiology · Physics · Computer Science · Diverse Musicological Studies · Hearing Loss and Rehabilitation · Medicine

  • Signed Music in the Deaf Community

    Open Access•Jody H Cripps, Jody Cripps et al.•Journal of Festive Studies•2023

  • Sonic Histories of Occupation

    Open Access•Tan Sooi, I Geroge Blake et al.•Sonic Histories of Occupation•2022

Obras citantes distintas2
Citas por año0,5
Intervalo de citas2022 - 2023 (2)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 2
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