“Do Not Include Me in Your ‘Us’”
Peppermint Candy and the Politics of Difference
Datos Bibliográficos
| ID | 20072756 |
|---|---|
| Autores | Soyoung Kim (0000-0003-0830-0940, Korea National University of Arts, autor de correspondencia) |
| Año | 2025 |
| Páginas | 79-96 |
| Fecha de publicación | 2025-10-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | CHAPTER |
| Revista | Korean Cinema in Global Contexts (SOURCE_BOOK) |
| Editorial | Routledge (PUBLISHER • GB) |
| DOI | 10.5117/9789463729147_ch04 |
| OpenAlex | W4307334146 |
| ISBN | 9789463729147 |
| Idioma | EN |
| Citas recibidas | 4 |
To understand the historical burdens borne by Korean society, it is argued that the trauma played out in Peppermint Candy (Bakasatang, 2000) is an endemically male trauma, and the gendered trauma of Korean society rather than “general” trauma. This gendered trauma, which is displayed under the pretence of “progressive” political historiography, renders women’s traumas invisible and unpresentable in public discourse. The male-gendered trauma also blurs the classification of perpetrators and victims by making use of “homosocial” bonding as a platform for spectatorial identification. Considering the complex problematic of historical representation on film, both the critical positioning of historical materials as well as the modes of cinematic representation deployed is taken into consideration
Archaeology · Historiography · Political science · Politics · Sociology · Asian Culture and Media Studies · Gender Studies · History · Japanese History and Culture · Law
| Obras citantes distintas | 4 |
|---|---|
| Citas por año | 0,31 |
| Intervalo de citas | 2013 - 2019 (7) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |