“Gotta Moan Sometime”
A Sonic Exploration of Earwitnesses to Early Pentecostal Sound in North America
Datos Bibliográficos
| ID | 20161885 |
|---|---|
| Autores | David D Daniels (McCormick Theological Seminary, autor de correspondencia), III David Douglas Daniels (1McCormick eological Seminary, 5460 S. University Avenue, Chicago, IL 60615, USA;, Email: [email protected]) |
| Año | 2008 |
| Volumen | 30 |
| Número | 1 |
| Páginas | 5-32 |
| Fecha de publicación | 2008-01-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Pneuma (JOURNAL) |
| Identificadores de la revista | ISSN: 0272-0965 • E-ISSN: 1570-0747 |
| Editorial | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/157007408x287759 |
| OpenAlex | W2086757716 |
| Idioma | EN |
| Citas recibidas | 3 |
Sound as a historical frame provides a new historiographic turn for Pentecostal studies and a complement to spatial and temporal studies of the Pentecostal past. This article explores how sound serves as a primary marker of early Pentecostal identity, as sound blended the sound of prayer, preaching, testifying, singing, music-making, and silence. Embedded in early Pentecostal sound are primal cries, speech, music, and ambient sound which, for early Pentecostals, functioned as a circular continuum that Pentecostal soundways traveled. Encompassing more than orality, early Pentecostal sound generated a way of knowing that challenged the orality-literacy binary, the hierarchy of senses that privileged sight, and the hierarchy of the races
Acoustics · Aesthetics · Art · Literacy · Literature · Orality · Prayer · Silence · Sociology · Diverse Musicological Studies · History · Music History and Culture · Pentecostalism and Christianity Studies · Philosophy · Religious studies
| Obras citantes distintas | 3 |
|---|---|
| Citas por año | 0,21 |
| Intervalo de citas | 2012 - 2023 (12) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 3 |