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We All Live in Fabletown

Bill Willingham’s Fables—A Fairy-Tale Epic for the 21st Century

Datos Bibliográficos

ID20249079
AutoresJason Harris (0000-0001-7099-4694, Texas A&M University, autor de correspondencia)
Año2016
Volumen5
Número2
Páginas32
Fecha de publicación2016-05-19
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaHumanities (JOURNAL)
Identificadores de la revistaISSN: 2076-0787 • E-ISSN: 2076-0787
EditorialMDPI AG (PUBLISHER • IT)
DOI10.3390/h5020032
OpenAlexW2395654627
IdiomaEN
Referencias citadas8

Bill Willingham’s Fables comic book series and its spin-offs have spanned fourteen years and reinforce that fairy-tale characters are culturally meaningful, adaptable, subversive, and pervasive. Willingham uses fairy-tale pastiche and syncreticism based on the ethos of comic book crossovers in his redeployment of previous approaches to fairy-tale characters. Fables characters are richer for every perspective that Willingham deploys, from the Brothers Grimm to Disneyesque aesthetics and more erotic, violent, and horrific incarnations. Willingham’s approach to these fairy-tale narratives is synthetic, idiosyncratic, and libertarian. This tension between Willingham’s subordination of fairy-tale characters to his overarching libertarian ideological narrative and the traditional folkloric identities drives the storytelling momentum of the Fables universe. Willingham’s portrayal of Bigby (the Big Bad Wolf turned private eye), Snow White (“Fairest of Them All”, Director of Operations of Fabletown, and avenger against pedophilic dwarves), Rose Red (Snow’s divergent, wild, and jealous sister), and Jack (narcissistic trickster) challenges contemporary assumptions about gender, heroism, narrative genres, and the very conception of a fairy tale. Emerging from negotiations with tradition and innovation are fairy-tale characters who defy constraints of folk and storybook narrative, mythology, and metafiction

Aesthetics · Art · Comics · Fantasy · Folklore · Literature · Magic realism · Narrative · Storytelling · Folklore, Mythology, and Literature Studies · History · Media, Gender, and Advertising · Themes in Literature Analysis

  • The Politics of Postmodernism

    Linda Hutcheon•Politics of Postmodernism•2003

  • Comics as a Test Case for Transmedial Narratology

    Karin Kukkonen•SubStance•2011

  • Introduction

    Derek Parker Royal•MELUS Multi-Ethnic Literature of…•2007

  • Reification and Utopia in Mass Culture

    Fredric Jameson•Social Text•1979

  • Fairy Tales and the Art of Subversion

    Dana Howell, Jack Zipes•Journal of American Folklore•1985

Velocidad de citaciónhistorical
Altamente citadoNo
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