Something Super-Wicked This Way Comes
Genre, Emergency, Expectation, and Learning to Die in Climate-Change Scotland
Datos Bibliográficos
| ID | 20249095 |
|---|---|
| Autores | Dominic Hinde (Queen Margaret University, autor de correspondencia) |
| Año | 2020 |
| Volumen | 9 |
| Número | 1 |
| Páginas | 17 |
| Fecha de publicación | 2020-02-07 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Humanities (JOURNAL) |
| Identificadores de la revista | ISSN: 2076-0787 • E-ISSN: 2076-0787 |
| Editorial | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/h9010017 |
| OpenAlex | W3005072823 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 36 |
This article approaches the issue of climate change and the response to it in Scotland from the perspective of genres of expectation and normality, focusing in particular on the relationship between genre, the political imagination, and calls for ‘climate realism’. Functioning partly as provocation and partly as a piece of critical theory on the problematic aspects of contemporary genres of expectation in Scotland, it discusses the push for normality as a driving force in the construction of imagined futures in the context of climate change, problematising how this fits with established expectations of the Scottish political imaginary and its futurity. Using the work of the scholar of genre and affect Lauren Berlant and her identification of genre as a means of ‘moving on’, it considers the idea of materially contingent narratives as an exit strategy from the present moment. To illustrate this, it briefly discusses Jenni Fagan’s contemporary climate change novel The Sunlight Pilgrims as an example of ‘irrealist’ confrontation of climate change and how this relates to the concept of the Anthropocene as an everyday experience. Ultimately, it concludes that contemporary attempts at climate realism require engagement with the irreal material circumstances of climate change and the fundamentally ‘super-wicked’ nature of climate processes in order to escape the constraints of progress, restoration, and normalisation as genre structures in discussion of climate futures
Aesthetics · Anthropocene · Archaeology · Art · Climate change · Economics · Environmental ethics · Epistemology · Futures contract · Literature · Narrative · Normality · Political science · Politics · Sociology · Climate Change and Geoengineering · Climate Change Communication and Perception · Climate Change, Adaptation, Migration · History · Law · Philosophy · Psychology · Social Psychology
Queer Temporality and Postmodern Geographies
Reason in a Dark Time
The Anthropocene and the Global Environmental Crisis
Narrative research in climate change adaptation—Exploring a complementary paradigm for research and governance
Anthropocene Reading
Cruel Optimism
The New Sociology of Scotland
The Politics of Unsustainability
Extractive Poetics
Strategic narratives in climate change
What is so wicked about wicked problems? A conceptual analysis and a research program
The Cultural Archive of the Ikea Store
L'irréalisme critique
The ‘Modernisation’ of Scotland and its Impact on Glasgow, 1955–1979
The Dynamics of Frame-bridging
Climate Justice Begins at Home
It's Our Environment
The spatialities of actually existing neoliberalism in glasgow, 1977 to present
Nationalism and normality
Scotland's Future Political System
The Independence Case in Comparative Perspective
Overcoming the tragedy of super wicked problems
After Modernity
Ecological modernisation of a ‘Cinderella renewable’? The emerging politics of global ocean energy
The Anthropo-scene
Dear departed
Climate for Change, or How to Create a Green Modernity
| Citas por año | 0,25 |
|---|---|
| Intervalo de citas | 2022 - 2022 (1) |
| Altamente citado | No |