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Refuge and Resistance

Theater with Kurds and Yezidi Survivors of Isis

Datos Bibliográficos

ID20249154
AutoresEllen W Kaplan (0000-0002-5824-4660, Smith College, autor de correspondencia)
Año2022
Volumen11
Número5
Páginas111
Fecha de publicación2022-09-02
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaHumanities (JOURNAL)
Identificadores de la revistaISSN: 2076-0787 • E-ISSN: 2076-0787
EditorialMDPI AG (PUBLISHER • IT)
DOI10.3390/h11050111
OpenAlexW4294808965
IdiomaEN
Citas recibidas2
Referencias citadas14

This essay looks at ongoing efforts to revitalize arts and culture among the Yezidi and broader Iraqi Kurdish communities. The Yezidi are survivors of the 2014 genocide perpetrated by the Islamic State (ISIS, also known by its Arabic acronym Da’esh) which resulted in mass killing, captivity and expulsion from their ancestral homeland of Mt. Sinjar in northern Iraq. They are part of the Kurdish people, who have engaged in centuries of struggle to protect their cultural and political identity, establish autonomy and ensure their security in the broader Middle East. After a brief overview of the Yezidi genocide and its aftermath, we trace some theatrical efforts in the 20–21st century and look at two embryonic theater initiatives in Iraqi Kurdistan. The description of cultural projects at Springs of Hope Foundation (Shariya Camp) is followed by personal reflection and analysis of the aims, uses and challenges of Applied Theater. This ‘umbrella term’ refers to a process that uses a theatrical tool-kit in non-theater contexts. The aesthetic, ethical and political challenges inherent in this work are considered: the essay explores questions of ethical care and the implications and pitfalls of working with vulnerable and displaced populations, issues of representation, and creating spaces for healing and expression through participatory theater. Finally, we discuss a new initiative in Iraqi Kurdistan that seeks to address ethnic and political fissures through theater. The essay culminates with a consideration of belonging and re-imagining home

Aesthetics · Art · Citizen journalism · Genocide · Homeland · Media studies · Political science · Politics · Sociology · Terrorism · Gender Studies · Islamic Studies and History · Law · Peacebuilding and International Security · Turkey's Politics and Society

  • Enablers and barriers for plurilingual practices

    Open Access•David Partridge, Helen Harper•TESOL in Context•2023

  • Yazidi Stories

    Open Access•Shakir Muhammad Usman•Australian Journal of Environmental…•2026

  • Militarized Youth

    Open Access•Johanna Higgs•Militarized Youth•2020

  • Refugee Theater and Its Transgressions

    Open Access•Anna Street•Sillages critiques•2021

  • “In the First Place, We Don’t Like to Be Called ‘Refugees’”

    Open Access•Anne Ring Petersen•Humanities•2021

  • Refugees, Theatre and Crisis

    Open Access•Alison Jeffers•Refugees, Theatre and Crisis•2012

  • Otherwise than Being or Beyond Essence

    Open Access•Emmanuel Levinas•Otherwise Than Being Or Beyond…•1991

  • Drama as Truth Commission

    Connal Parr•Interventions•2021

  • Politics begins as ethics’

    Tom Burvill•Research in Drama Education The…•2008

  • Making Oneself at Home

    Marion Arnold, Marsha Meskimmon•Third Text•2015

  • Kurdish Nationalism on Stage

    Mahroo Rashidirostami, Mari R Rostami•Kurdish Nationalism on Stage•2019

  • Performance Studies

    Dwight Conquergood•TDR/The Drama Review•2002

  • Artistic Representations of Refugees

    Isobel Blomfield, Caroline Lenette•Journal of Intercultural Studies•2018

Obras citantes distintas2
Citas por año0,67
Intervalo de citas2023 - 2026 (4)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 2

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