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Sebald, Trauma, and Cinema

Datos Bibliográficos

ID20249183
AutoresAllen Meek (0000-0002-6293-4795, Massey University, autor de correspondencia)
Año2017
Volumen6
Número4
Páginas101
Fecha de publicación2017-12-18
Open AccessSí
TipoARTICLE
RevistaHumanities (JOURNAL)
Identificadores de la revistaISSN: 2076-0787 • E-ISSN: 2076-0787
EditorialMDPI AG (PUBLISHER • IT)
DOI10.3390/h6040101
OpenAlexW2781254945
IdiomaEN
Citas recibidas1
Referencias citadas6

Because Sebald’s books are preoccupied with historical catastrophe, particularly the Holocaust, critical commentaries have often interpreted them in terms of the transmission of traumatic memory. But this stress on the temporal relay from past to present and future generations has drawn attention away from the emphasis on space and travel in Sebald’s work. In order to address this gap in Sebald criticism, this essay discusses three films that adapt and respond to Sebald’s work: Patience (After Sebald) (directed by Grant Gee, 2012), Terezin (directed by Daniel Blaufuks, 2010) and Austerlitz (directed by Stan Neumann, 2015). Because of the cinema’s constant movement between images and places, these films allow us to see more clearly the aspects of Sebald’s writings concerned with traveling and making connections between different archival spaces. The journeys in Sebald’s books and in these films inspired by them go beyond human life worlds to include non-human creatures, and beyond the realms of the living to include those inhabited by the dead. This suspension of the boundary between life and death, along with the restless movement from place to place, creates a relationship to memory and history that cannot be limited to the model of traumatic transmission

Aesthetics · Art · Art history · Contingency · Criticism · Epistemology · Literature · Movie theater · Psychoanalysis · Sociology · The Holocaust · Theology · Kierkegaardian Philosophy and Influence · Literature and Cultural Memory · Memory, Trauma, and Commemoration · Philosophy · Psychology

  • Triumph of Memory

    Open Access•S Yu Novikova•Practices & Interpretations A…•2021

  • On Media Memory

    Open Access•Mordechai Neiger, Motti Neiger et al.•On Media Memory•2011

  • The Generation of Postmemory

    Marianne Hirsch•The Generation of Postmemory•2012

  • Surviving Images

    Marianne Hirsch•Yale journal of criticism/ The…•2001

  • The Edge of Darkness

    Mark M Anderson•October•2003

Citas por año0,2
Intervalo de citas2021 - 2021 (1)
Altamente citadoNo

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