“There Is No Limit to the Effect of Mind upon Matter”

The literary career of Lettice Galbraith (1859–1932) coincided with a transformative period in British intellectual history, when the boundaries between scientific rationalism and occult epistemologies were being vigorously contested. This paper argues that Galbraith’s supernatural fiction represents a sharp challenge to Victorian medical science, using Gothic tropes to expose its deeply gendered structures of power. Situating her work within what Alex Owen has termed “modern enchantment”, it contends that Galbraith does not merely use the supernatural as a metaphor for social critique, but treats spiritualist practice as a legitimate methodology, a way of knowing that privileges embodied experience, and the testifying power of the material world over the cold, isolating rationality of institutional orthodoxy. Through a close reading of “In the Séance Room” and “The Ghost of Vittoria Pandelli”, and by employing a theoretical framework that combines feminist theory with new materialist perspectives, this analysis demonstrates how Galbraith’s stories reconfigure the séance as a ‘feminist counter-laboratory’. In this space, women—both as mediums and as spectral presences—reclaim agency from male dominated medicine and psychiatry. Matter itself becomes an agential force: objects, sounds, and even atmospheres intra-act with human participants to produce truths that medical authority cannot access or suppress. Ultimately, Galbraith’s stories deliver a powerful and enduring claim, that systems of power designed to silence and erase will be undone by the vibrant presence of the material world itself

Alchemy · Commodification · Materialism · Metaphor · Orthodoxy · Posthuman · Rationalism · Silence · Wonder · Historical Psychiatry and Medical Practices · Religious Studies and Spiritual Practices · Thomas Hardy Literature Studies

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