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Cringe and Sympathy

The Comedy of Mental Illness in Flowers

Datos Bibliográficos

ID20249348
AutoresLinda Heß (University of Augsburg, autor de correspondencia), Linda M Hess
Año2021
Volumen10
Número4
Páginas121
Fecha de publicación2021-11-20
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaHumanities (JOURNAL)
Identificadores de la revistaISSN: 2076-0787 • E-ISSN: 2076-0787
EditorialMDPI AG (PUBLISHER • IT)
DOI10.3390/h10040121
OpenAlexW3215121426
IdiomaEN
Citas recibidas2
Referencias citadas4

This article on brings together findings from humor studies, especially work on cringe comedy, and disability studies. It analyzes how Flowers uses elements of cringe to question societal norms of the “proper person” in connection to mental illness, but also how Flowers broadens the genre of cringe so that, at times, it becomes a cringe tragedy rather than a cringe comedy, thus taking seriously the pain of mental illness. As a third point, this analysis focuses on the way in which Flowers self-reflexively employs elements of narrativity to draw attention to the cultural constructedness and storyfication of mental illness throughout history

Art · Comedy · Literature · Mental health · Mental illness · Psychiatry · Psychotherapist · Sympathy · Film in Education and Therapy · Humor Studies and Applications · Psychology · Shakespeare, Adaptation, and Literary Criticism · Social Psychology

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    Open Access•Emma Sullivan•Open Library of Humanities•2024

  • British dark comedy television and the bodily aesthetics of the ‘Proper person’

    Beccy Collings•Comedy Studies•2018

  • Visualizing Madness

    Open Access•Simon Cross•Television & New Media•2004

  • Joke work

    Pansy Duncan•Comedy Studies•2017

Obras citantes distintas2
Citas por año1
Intervalo de citas2024 - 2024 (1)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 2

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