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Body Horror in Octavia E. Butler’s Clay’s Ark

Datos Bibliográficos

ID20249405
AutoresMaria Holmgren Troy (0000-0002-7640-0639, Karlstad University, autor de correspondencia)
Año2023
Volumen12
Número5
Páginas120
Fecha de publicación2023-10-16
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaHumanities (JOURNAL)
Identificadores de la revistaISSN: 2076-0787 • E-ISSN: 2076-0787
EditorialMDPI AG (PUBLISHER • IT)
DOI10.3390/h12050120
OpenAlexW4387673459
IdiomaEN
Referencias citadas13

African American science fiction writer Octavia E. Butler’s works have attracted a great deal of academic interest since the 1990s onwards. Clay’s Ark (1984), however, has not gained as much scholarly attention as some of her other novels, and the centrality of Gothic aspects, in particular those related to body horror, has not been addressed. By focusing on how these aspects inform the structure, setting, and characters’ actions and relationships in this novel about an extraterrestrial infection that threatens and changes humanity, this article demonstrates how Butler employs and adapts strategies and conventions of Gothic horror and body horror in order to explore various attitudes towards difference and transformation, paralleling these with a particular brand of antiblack racism growing out of American slavery. Although the 1980s are already receding into American history, and a few aspects of the imagined twenty-first century in this novel may feel dated today (while many are uncomfortably close to home), Clay’s Ark is a prime example of how aspects of popular culture genres and media—such as science fiction, the Gothic, and horror films—can be employed in an American novel to worry, question, and destabilize ingrained historical and cultural patterns

Aesthetics · Art · Centrality · Humanity · Literature · Popular culture · Racism · Sociology · Gender Studies · Gothic Literature and Media Analysis · History · Literature, Magical Realism, García Márquez · Philosophy · Utopian, Dystopian, and Speculative Fiction

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    Open Access•Holly-Gale Millette, Clive Bloom•The Palgrave Handbook of…•2020

  • Neither Black Nor White Yet Both

    Werner Sollors•Neither black nor white yet both•1997

  • Horror and beauty in rare combination’

    Roger Luckhurst•Women a Cultural Review•1996

  • Radical Reproduction

    Shelley Streeby•Women s Studies•2018

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    Randall Kenan•Callaloo•1991

Velocidad de citaciónhistorical
Altamente citadoNo

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