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Depicting Kazimierz’s Jewish Ghetto

Artur Markowicz and Fin-de-Siècle Polish–Jewish Modernism

Datos Bibliográficos

ID20249705
AutoresMirjam Rajner (0000-0001-7779-7247, Bar-Ilan University, autor de correspondencia)
Año2026
Volumen17
Número7
Páginas766
Fecha de publicación2026-06-25
Open AccessSí
TipoARTICLE
RevistaReligions (JOURNAL)
Identificadores de la revistaISSN: 2077-1444 • E-ISSN: 2077-1444
EditorialMDPI AG (PUBLISHER • IT)
DOI10.3390/rel17070766
OpenAlexW7166180915
IdiomaEN
Referencias citadas4

On 11 March 1899, a group of young Jewish artists organized a commemorative evening in memory of the late Maurycy Gottlieb, an event accompanied by the publication of the festive Jednodniówka, which included contributions by Jewish and Polish modernist artists and writers. Artur Markowicz was among them. This article examines the fin-de-siècle renaissance of Jewish modernist visual culture and its exploration of traditional Eastern European Jewish life, focusing on Markowicz’s depictions of the Kazimierz ghetto. In contrast to the more critical attitude of Samuel Hirszenberg, the leader of Kraków’s short-lived circle of Jewish artists and art lovers in the early twentieth century, Markowicz’s Impressionist and Symbolist pastels reflected a more idealized approach within Jewish modernism. Nonetheless, his works, largely unchanged by subsequent upheavals, later evoked nostalgia for a lost world

Evening · Jewish culture · Judaism · Modernism (music) · Period (music) · The Holocaust · The Renaissance · Central European national history · Jewish and Middle Eastern Studies · Memory, Trauma, and Commemoration

  • Samuel Hirszenberg, 1865-1908

    Open Access•Richard I Cohen, Mirjam Rajner•Samuel Hirszenberg, 1865-1908•2022

  • Defining "Jewish Art" in Ost und West, 1901-1908

    G D Rosenfeld•The Leo Baeck Institute Year Book•1994

  • Jewish Identity in Modern Art history

    Catherine M Soussloff•Jewish Identity in Modern Art…•1999

Altamente citadoNo

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