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Rogozhin in Dostoevsky's The Idiot

Enigma, Allegory and Visual Imagery

Datos Bibliográficos

ID20327353
AutoresGeorge G Weickhardt (autor de correspondencia)
Año2010
Volumen44
Número4
Páginas387-405
Fecha de publicación2010-01-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaCanadian-American Slavic Studies (JOURNAL)
Identificadores de la revistaISSN: 0090-8290 • E-ISSN: 2210-2396
EditorialWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/221023910x535601
OpenAlexW2020212147
IdiomaEN

Rogozhin, one of the main characters of Dostoevsky's The Idiot, appears infrequently in the novel, and the author does not give him the philosophical depth of his other great criminal characters. His relationships with Prince Myshkin and Nastasia are nonetheless among the main themes and driving forces of the plot. Driven by jealousy, he eventually murders Nastasia and drives the Prince back to insanity. Rogozhin is presented and given depth by visual imagery, including his gloomy house, the Holbein painting in it, and the knife with which he eventually kills Nastasia. His Old Believer family is also important in defi ning him. The article addresses this visual imagery and Rogozhin's Old Believer roots

Allegory · Art · Art history · Idiot · Insanity · Jealousy · Literature · Painting · Plot (graphics) · Psychoanalysis · Discourse Analysis and Cultural Communication · Education, Literature, Philosophy Research · History · Philosophy · Psychology · Russian Literature and Bakhtin Studies · Social Psychology

Velocidad de citaciónhistorical
Altamente citadoNo
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