“Virtual Fictional/Factual Positioning”
Mediating dialogical concepts in psychological and literary studies
Datos Bibliográficos
| ID | 20401366 |
|---|---|
| Autores | Forough Barani (Universiti Putra Malaysia), Wan Roselezam Wan Yahya (0000-0002-2266-7856, Universiti Putra Malaysia), Rosli Talif (0000-0001-8547-2020, Universiti Putra Malaysia), Rosli Bin Talif (Universiti Putra Malaysia) |
| Año | 2014 |
| Volumen | 24 |
| Número | 6 |
| Páginas | 755-774 |
| Fecha de publicación | 2014-12-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Theory & Psychology (JOURNAL) |
| Identificadores de la revista | ISSN: 0959-3543 • E-ISSN: 1461-7447 |
| Editorial | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/0959354314553048 |
| OpenAlex | W2120074300 |
| Idioma | EN |
| Citas recibidas | 4 |
| Referencias citadas | 44 |
At the intersection of psychological and literary studies and acknowledging dialogical aspects of the self in Herman’s Dialogical Self Theory (DST), we coined the concept of “Virtual Fictional/Factual Positioning” (VFP), which is also guided by Bakhtin’s discussion on the author-hero relation. VFP evaluates the possible dialogical coalition of the author’s positions as “I-as-artist/novelist” and “I-as-the-hero-of-my-story,” amongst other positions in literary narratives. Evaluation of the existing literature on DST and the few adaptations of this theory for literary purposes highlights the insufficient consideration paid to the dialogical possibilities of the self in literary studies. To develop our argument based on our new model, we present a textual analysis of Paul Auster’s Man in the Dark and examine the protagonist’s narratives and his relation with his hero in the story within the story. Furthermore, we address the question of whether this protagonist/author’s self consists of polyphonized dialogical voices or merely a cacophony of various thoughts with fewer logical and no dialogical qualities
Aesthetics · Art · Dialogical self · Epistemology · HERO · Literature · Narrative · Self · Sociology · Computer Science · Counseling, Therapy, and Family Dynamics · Language, Metaphor, and Cognition · Philosophy · Psychology · Social Representations and Identity
Dialogical Self Theory
The principles of psychology.
Problems of Dostoevsky's Poetics
The Construction and Reconstruction of a Dialogical Self
The Dialogical Self in the First Two Years of Life
Self and Dialogue
From ‘Psychology in Literature’ to ‘Psychology is Literature’
Forms of Positioning in the Dialogical Self
Incorporating Realist Fiction into Dialogical Theories of the Self
Fragments of Unconscious Experience
The Dialogical Self as a Society of Mind
Addressing the Other in Dialogue
The Dialogical Brain
Essay Review
Literary Realism and Psychology
Exemplary Lives
Dialogism and the psyche
Bakhtin’s realism and embodiment
Being faithful
Maintaining Continuity in a Cultural Contact Zone
Emergent organization in the dialogical self
The Other Self
Between fiction and reality
The Landscape of Narrative and the Dialogical Self
Dialogism. Bakhtin and His World
Art and Answerability
Maintenance and Transformation of Problematic Self-Narratives
The dialogical self
Speech Genres and Other Late Essays
The Dialogical Self, Flexibility and the Cultural Production of Psychopathology
The Usage of Space in Dialogical Self-Construction
Self-Positioning in a Text-Based Virtual Environment
Developmental Discourse As an Author/Hero Relationship
Mapping the Multiplicity of the Self
The Construction of a Personal Position Repertoire
The Dialogical Self
| Obras citantes distintas | 4 |
|---|---|
| Citas por año | 0,36 |
| Intervalo de citas | 2015 - 2019 (5) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 4 |