Die Objek Van Die Kunssosiologie
N Radikale Analise
Datos Bibliográficos
| ID | 20455407 |
|---|---|
| Autores | B P Strydom (University of Pretoria, autor de correspondencia) |
| Año | 1975 |
| Volumen | 1975 |
| Número | 11 |
| Páginas | 110-114 |
| Fecha de publicación | 1975-04-01 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | South African Journal of Sociology (JOURNAL) |
| Identificadores de la revista | ISSN: 0258-0144 • E-ISSN: 1999-9135 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/02580144.1975.10426503 |
| OpenAlex | W2075629240 |
| Idioma | EN |
| Referencias citadas | 5 |
THE OBJECT OF THE SOCIOLOGY OF ART: A RADICAL ANALYSIS: To take art without reservation as the object of the sociology of art, and concurrently, to circumscribe the sociology of art in terms of what it has to say about art, as is so often done, is to dwell superficially on the most immediate, concrete and descriptive level not worth of being called analysis. Analysis is constituted by addressing the auspices (in this case) of art and sociology, while recognising the fact that to be a theorist, is to have arrived at a conception of self as a methodic achievement. This implies that the sociology of art qua analysis proper, although the immediately given represents its initial point of departure, discovers its object beyond the obviously concrete as something much more complex, subtle and elusive than it is usually thought to be
Art · Art history · Epistemology · Linguistics · Sociology · Art, Aesthetics, and Perception · Art, Politics, and Modernism · German Social Sciences and History · Philosophy
| Altamente citado | No |
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