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Power and Responsibility

Royalty and the Performing Arts in Asante-Ghana

Datos Bibliográficos

ID2098541
AutoresKwasi Ampene (0000-0002-6779-1631, autor de correspondencia)
Año2021
Volumen64
Número3
Páginas523-546
Fecha de publicación2021-09-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaAfrican Studies Review (JOURNAL)
Identificadores de la revistaISSN: 0002-0206 • E-ISSN: 1555-2462
EditorialCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/asr.2021.13
OpenAlexW3170042480
IdiomaEN
Referencias citadas37

In all Akan polities, ancestral Black Stools, which belong to the matriclan, are the source of political power and legitimize kingship. Due to the sacred and exclusive nature of stool rituals, Ampene argues that it is the performing arts which define and enhance the power of rulers in the public domain. This ethnographic narrative of the 2014 Grand Worship provides a rare opportunity for the performing arts to project the power and responsibility of the Asantehene when he participates in musical performances and dances

Aesthetics · Art · Ethnography · Literature · Monarchy · Musical · Narrative · Performing arts · Political science · Politics · Power (physics · Sociology · The arts · Visual arts · Worship · African history and culture studies · Anthropology · History · Law

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