Power and Responsibility
Royalty and the Performing Arts in Asante-Ghana
Datos Bibliográficos
| ID | 2098541 |
|---|---|
| Autores | Kwasi Ampene (0000-0002-6779-1631, autor de correspondencia) |
| Año | 2021 |
| Volumen | 64 |
| Número | 3 |
| Páginas | 523-546 |
| Fecha de publicación | 2021-09-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | African Studies Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0002-0206 • E-ISSN: 1555-2462 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/asr.2021.13 |
| OpenAlex | W3170042480 |
| Idioma | EN |
| Referencias citadas | 37 |
In all Akan polities, ancestral Black Stools, which belong to the matriclan, are the source of political power and legitimize kingship. Due to the sacred and exclusive nature of stool rituals, Ampene argues that it is the performing arts which define and enhance the power of rulers in the public domain. This ethnographic narrative of the 2014 Grand Worship provides a rare opportunity for the performing arts to project the power and responsibility of the Asantehene when he participates in musical performances and dances
Aesthetics · Art · Ethnography · Literature · Monarchy · Musical · Narrative · Performing arts · Political science · Politics · Power (physics · Sociology · The arts · Visual arts · Worship · African history and culture studies · Anthropology · History · Law
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| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |