"R.A. Kartini" (1982) and "Kartini" (2017); Anguish and silent struggles in the narratives of Indonesian women’s empowerment role model

This study compares the portrayal of R.A. Kartini, an Indonesian female national heroine, in the biopics Sjumandjaya’s R.A. Kartini (1982) and Bramantyo’s Kartini (2017). The films were produced in the New Order and post-Reformation eras respectively, with social and cultural values translating into context-shaped standpoints in interpreting the figure of Kartini’s. Kartini is a role model associated with empowered Indonesian women and equality in education; therefore, films produced in different social and political contexts retelling her story give insights into how these issues were framed during these eras. This study uses film discourse interpretation analysis referencing dialogues and gestures from the films to discuss power relations between male-female characters, the issue of silence and women’s voice, and sisterhood. The study finds that, although both films reconfirm the already imprinted patriarchal society’s images of Kartini in particular and women in general, there are collective efforts to rethink and question the status quo

Aesthetics · Art · Empowerment · Indonesian · Literature · Narrative · Political science · Silence · Sociology · Status quo · Asian Studies and History · Gender and Women's Rights · Gender Studies · History · Law

• Kartini From Alor

  Open Access•Raisa Rakhmania, Rustono Farady Marta et al.•al-Balagh Jurnal Dakwah dan…•2023

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• Gender Harmony and the Happy Family

  Open Access•Saskia Eleonora Wieringa•South East Asia Research•2015

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• The Madwoman in the Attic

  A Kolodny, Sandra M Gilbert et al.•American Literature•1980

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• Unpacking a National Heroine

  Danilyn Rutherford•Indonesia•1993

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• Kartini in her historical context

  Open Access•Jean Gelman Taylor•Bijdragen tot de taal- land- en…•1989

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