The “Woman” as a Frame for the Self
Femininity, Ekphrasis, and Aesthetic Selfhood in John Banville’s Eclipse, Shroud, and Ancient Light
Datos Bibliográficos
| ID | 21187348 |
|---|---|
| Autores | Mehdi Ghassemi (0009-0009-0461-3035, Université de Lille, autor de correspondencia) |
| Año | 2018 |
| Número | 13.2 |
| Páginas | 30-43 |
| Fecha de publicación | 2018-10-31 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Estudios Irlandeses (JOURNAL) |
| Identificadores de la revista | ISSN: 1699-311X • E-ISSN: 1699-311X |
| Editorial | Estudios Irlandeses (PUBLISHER) |
| DOI | 10.24162/ei2018-8602 |
| OpenAlex | W2898494806 |
| Idioma | EN |
| Referencias citadas | 2 |
Introduction Many of Banville’s novels can be read as accounts of the fascination of a male’s tormented psyche with women. The female characters are simultaneously treated as objects of desire as well as objects of epistemological quest, figures that seem to encapsulate a crucial aspect of the narrators’ journey of self-discovery. Several readings of Banville have
Aesthetics · Art · Depiction · Epistemology · Femininity · Literature · Narrative · Psychoanalysis · Subjectivity · Trilogy · Contemporary Literature and Criticism · Ethics, Aesthetics, and Art · Philosophy · Psychology · Shakespeare, Adaptation, and Literary Criticism
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |