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Choreographing the liturgy

Exploring continuity, change and the liturgy in the ecclesiastical buildings of Gillespie, Kidd & Coia

Datos Bibliográficos

ID21334769
AutoresJames Robertson (0000-0003-3634-4318, autor de correspondencia)
Año2020
Volumen71
Número2
Páginas237-269
Fecha de publicación2020-11-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaThe Innes Review (JOURNAL)
Identificadores de la revistaISSN: 0020-157X • E-ISSN: 1745-5219
EditorialEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/inr.2020.0267
OpenAlexW3101235770
IdiomaEN
Referencias citadas1

This is a study of a process of architectural analysis on Gillespie, Kidd & Coia (1927–1987), an architectural practice often famed for their original approach, especially for their longstanding client, the Catholic Archdiocese of Glasgow. It is primarily concerned with the results of their approach over many years; of the effects or trends apparent in their work as an oeuvre, rather than with their initial architectural intentions; and builds on the work of other scholars by discussing the firm's work within the context of the twentieth century's rather fluid liturgical landscape. An alternative method is suggested for reading their ecclesiastical architecture, based not only on difference within their work, but also on its interconnections

Archaeology · Art · Context (archaeology) · Linguistics · Liturgy · Reading (process) · Sociology · Visual arts · Work (physics) · Architecture · Engineering · Historical and Architectural Studies · History · Mechanical Engineering · Philosophy · Scottish History and National Identity

Velocidad de citaciónhistorical
Altamente citadoNo
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