Literature as laboratory

Hilda Kuper's factional representations of Swaziland

Datos Bibliográficos

ID2137657
AutoresK Vincent (0000-0003-4982-2788, Acadia University, autor de correspondencia)
Año2011
Volumen70
Número1
Páginas89-102
Fecha de publicación2011-04-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaAfrican Studies (JOURNAL)
Identificadores de la revistaISSN: 0002-0184 • E-ISSN: 1469-2872
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00020184.2011.557577
OpenAlexW2000620774
IdiomaEN
Citas recibidas1
Referencias citadas28

Anthropologists have long recognised the intersections between factual and fictional representations of other cultures, and have actively engaged in producing imaginative cultural translations alongside ethnographic accounts. This resulting ‘blurring of genres’ has also been investigated by anthropologists, but often at the expense of the imagined subject and the social, political, and cultural forces at work in the literary versions. Hilda Kuper's literary expression attests to how an anthropologist can negotiate the boundaries of science and art to produce a literature of protest that acknowledges the larger project of writing back to empire, engages with South African apartheid, and intervenes in the representation of Swaziland by earlier colonial and travel narratives by producing alternative visions that at once affirm and critique custom and tradition. At the same time, her fiction and drama betray the tensions at work in the ethnographic imagination

Aesthetics · Art · Colonialism · Drama · Ethnography · Literary criticism · Literature · Narrative · Negotiation · Political science · Politics · Representation (politics · Social science · Sociology · Subject (documents · Vision · African history and culture studies · Anthropology · Gender Studies · History · Law · Postcolonial and Cultural Literary Studies · South African History and Culture