Museums in Kenya

Spaces for Selecting, Ordering and Erasing Memories of Identity and Nationhood

Datos Bibliográficos

ID2137665
AutoresKarega-Munene, Karega-Munene Karega-Munene (Alliant University, autor de correspondencia)
Año2011
Volumen70
Número2
Páginas224-245
Fecha de publicación2011-08-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaAfrican Studies (JOURNAL)
Identificadores de la revistaISSN: 0002-0184 • E-ISSN: 1469-2872
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00020184.2011.594630
OpenAlexW1985652335
IdiomaEN
Citas recibidas11
Referencias citadas26

This article discusses representations of 'nationhood' at National Museums of Kenya (NMK) and community peace museums (CPMs). The representations range from a virtual absence of exhibitions on nationhood to exhibitions of cultural objects associated with specific ethnic groups and commemoration of local and/or national heroes. The representations at NMK appear to be informed by the expressed and/or assumed wishes of the country's political leadership. As such, the social memory they evoke has suffered episodic interruptions through time. On the other hand, representations at CPMs are, to a large extent, informed by influential individuals or small sections of the community and tend to concentrate on the ethnic group within which they are located, thus articulating local as opposed to national issues. This situation contributes to contestations of 'nationhood' in Kenya, a phenomenon that has come to the fore with every general election since the re-introduction of multi-party politics 20 years ago and, in particular, with the 2007/08 post-election violence

Aesthetics · Archaeology · Art · Epistemology · Ethnic conflict · Ethnic group · Exhibition · Identity (music · Media studies · National identity · Phenomenon · Political science · Politics · Sociology · Anthropology · Cambodian History and Society · Gender Studies · Global Maritime and Colonial Histories · History · Law · Museums and Cultural Heritage