Crafting history in real time

The count-duke of Olivares, the Holy Roman Empire and generalissimo Wallenstein on the Spanish stage (1632–1634)

Datos Bibliográficos

ID21409768
AutoresAntonio M Rueda (0000-0002-8634-3842, University of Washington, autor de correspondencia)
Año2024
Volumen54
Número4
Páginas363-382
Fecha de publicación2024-12-01
Open AccessSí
TipoARTICLE
RevistaJournal of European Studies (JOURNAL)
Identificadores de la revistaISSN: 0047-2441 • E-ISSN: 1740-2379
EditorialSAGE Publications (PUBLISHER • US)
DOI10.1177/00472441241289670
OpenAlexW4404288437
IdiomaEN
Referencias citadas13

This essay explores the portrayal of Albrecht von Wallenstein’s downfall on the Spanish stage during the Thirty Years’ War. El prodigio de Alemania (1634), a play written by Calderón de la Barca and Antonio Coello, serves as a topic of study for understanding international politics of the time. The death of King Gustavus Adolphus of Sweden at the Battle of Lützen (1632) marked a turning point in the career of Wallenstein, who had played a significant role as the general commander during the conflict. The play itself was a product of Prime Minister Olivares’ domestic and international policies and aimed to legitimize specific ideological interests. The essay focuses on the manipulation of theatre as a means of enhancing the reputation of the Spanish monarchy and examines how the construction of the play allows us to comprehend the strained relations between Spain and the Holy Roman Empire during the war. It also scrutinizes the modifications made to the literary product to align with the changing political realities and illuminates the significance of Spanish theatre in crafting historical narratives and propagating political ideologies during the first half of the seventeenth century

Ancient history · Empire · Roman Empire · Stage (stratigraphy) · Geology · Historical and Cultural Studies of Poland · Historical Influence and Diplomacy · History · Medieval European History and Architecture

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