Korean Fan Dance for Fun
Performing Alterity in Contemporary Japan
Datos Bibliográficos
| ID | 2142736 |
|---|---|
| Autores | Youngmi Lim (Lehman College, autor de correspondencia) |
| Año | 2015 |
| Volumen | 80 |
| Número | 2 |
| Páginas | 192-222 |
| Fecha de publicación | 2015-03-15 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Ethnos (JOURNAL) |
| Identificadores de la revista | ISSN: 0014-1844 • E-ISSN: 1469-588X |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/00141844.2013.831942 |
| OpenAlex | W2156132651 |
| Idioma | EN |
| Citas recibidas | 6 |
| Referencias citadas | 40 |
This paper focuses on performances of Korean folk culture in Japanese schools and communities to analyse how minority identities are constructed. Korean minority education in Japan has taken up the challenge of reversing the stigma attached to former colonial subjects, employing a range of tangible props what Twine (1999 Twine, France Winddance. 1999. Bearing Blackness in Britain: The Meaning of Raical Difference for White Birth Mothers of African-Descent Children. Social Identities, 5(2):185-210. doi: 10.1080/13504639951554[Taylor & Francis Online] , [Google Scholar]) calls 'racial literacy' which prepares racial minority children to cope with and challenge racism at large. While embodying identity expression through Korean folk dance performances is an effective strategy, it faces constraints from larger social forces. Korean dance and music performances do little to challenge the dominance of mainstream values. These performances are embedded in everyday family, school, and community practices and paradoxically reproduce existing gender roles, broader pedagogical ideologies, and social structures. This ethnographic case study disentangles contradictions in minority education and shows commitment to alterity accompanies disavowal of alterity in relation to the hegemonic Japanese culture and society
Aesthetics · Alterity · Art · Dance · Ethnography · Identity (music · Ideology · Mainstream · Political science · Politics · Racism · Sociology · Visual arts · White (mutation · Anthropology · Asian Culture and Media Studies · Gender Studies · Japanese History and Culture · Migration, Ethnicity, and Economy
To dance is human
Splendid Monarchy
Stuart Hall
“Korean Japanese”
About Face
Zainichi Korean Identity and Ethnicity
The Origins of the Korean Community in Japan, 1910-1923
Global Structures of Common Difference, Cultural Objectification, and Their Subversions
Linguistics and Indigenous American Languages
Genuine But Marginal
Bananas, Beaches and Bases
Mimesis and Alterity in the African Caribbean Quadrille
Between Indeterminacy and Radical Critique
Embodying Difference
Borderline Japan
Qualitative Change in Performances of Two Generations of Korean Dancers
Negotiating Caribbean Identities
The origins of the Korean community in Japan 1910–1923
Loveliest Daughter of our Ancient Cathay
Nostalgia for a (Different) Asian Modernity
Bananas, beaches and bases
Perspectives on Korean Dance
Dance, Authenticity and Cultural Memory
Bearing Blackness in Britain
Moving Bodies, Acting Selves
Imperial Leather
Dance, Sex and Gender
Racialisation and Nationalist Ideology
Empire of Nostalgia
Critical Postcolonial Dance Pedagogy
Movement in spaces of liminality
Introduction to the Special Issue, Commitment to Alterity and Its Disavowal
| Obras citantes distintas | 6 |
|---|---|
| Citas por año | 0,55 |
| Intervalo de citas | 2015 - 2025 (11) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 6 |